Wide open studio spaces : analyzing the spatial codes of recorded late- and post-countercultural pastoral music
In mid- to late-1960s America and Britain, against the backdrop of escalating socio-political disappointment, countercultural ideologies and fantasies of a musical youth dovetailed with improvements in recording technologies to generate new sonic languages of limning in sound utopian pastoral spaces...
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| Format: | Others |
| Language: | English |
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2009
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| Online Access: | http://hdl.handle.net/2152/6543 |