Br(others) only : Rashid Johnson, class, and the fraternal orders of Afrofuturism
Br(others) Only conceptualizes the wall sculptures of Rashid Johnson as free-standing “altars” that play with different and sometimes divergent brands of black masculinity and classed homosociality. Primarily, I analyze three of Johnson’s sculptures from the late 2000s: I Who Have Nothing (2008); I’...
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| Format: | Others |
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2014
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| Online Access: | http://hdl.handle.net/2152/26810 |