Re-imagining Transnational Identities in Norma Cantú's <i>Canícula</i> and Jhumpa Lahiri's <i>The Namesake</i>
This thesis examines Norma Cantú's Canícula and Jhumpa Lahiri's The Namesake from the framework of transnationalism characterized by migration, transculturation, and hybridity. With the application of postcolonial theories, related to identity and space, it identifies the space between dif...
Main Author: | Paudyal, Binod |
---|---|
Format: | Others |
Published: |
DigitalCommons@USU
2010
|
Subjects: | |
Online Access: | https://digitalcommons.usu.edu/etd/709 |
Similar Items
-
Immigrant Experience in Jhumpa Lahiri’s The Namesake
by: Ling-yao Tang, et al.
Published: (2007) -
Translating Hybridity: Diaspora and Identity in Jhumpa Lahiri's The Namesake
by: Lee, Shian Rong, et al. -
Reconciling Identities: The Diasporic Bengali Woman in Jhumpa Lahiri’s The Namesake
by: Reshmi Lahiri-Roy
Published: (2015-05-01) -
Displacement, an Unknown Freedom : Cultural Identity in Jhumpa Lahiri's The Namesake
by: Assadnassab, Afshin
Published: (2012) -
<b>The Intertextual Dimension of Otherness in Jhumpa Lahiri’s The Namesake</b>
by: Liviu Augustin Chifane
Published: (2015-12-01)