Baltimore Mobility: <em>The Wire</em>, Local Documentary, and the Politics of Distance
Extending scholarship on Baltimore’s media landscape, I observe how two moving-image texts, HBO’s The Wire (David Simon, 2002-2008) and 12 O’clock Boys (Lotfy Nathan, 2013), figure space and, by extension, mobility in the city. Specifically, I articulate how both figures of mobility relate with each...
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| Format: | Others |
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Scholar Commons
2019
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| Online Access: | https://scholarcommons.usf.edu/etd/7783 https://scholarcommons.usf.edu/cgi/viewcontent.cgi?article=8980&context=etd |