Weaponizing Ordinary Objects: Women, Masculine Performance, and the Anxieties of Men in Medieval Iceland

This thesis unravels the deeper meanings attributed to ordinary objects, such as clothing and food, in thirteenth-century Icelandic literature and legal records. I argue that women weaponized these ordinary objects to circumvent their social and legal disadvantages by performing acts that medieval I...

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Main Author: Dunn, Steven T.
Format: Others
Published: Scholar Commons 2019
Subjects:
Online Access:https://scholarcommons.usf.edu/etd/7781
https://scholarcommons.usf.edu/cgi/viewcontent.cgi?article=8978&context=etd
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spelling ndltd-USF-oai-scholarcommons.usf.edu-etd-89782019-11-22T10:12:29Z Weaponizing Ordinary Objects: Women, Masculine Performance, and the Anxieties of Men in Medieval Iceland Dunn, Steven T. This thesis unravels the deeper meanings attributed to ordinary objects, such as clothing and food, in thirteenth-century Icelandic literature and legal records. I argue that women weaponized these ordinary objects to circumvent their social and legal disadvantages by performing acts that medieval Icelandic society deemed masculine. By comparing various literary sources, however, I show that medieval Icelandic society gradually redefined and questioned the acceptability of that behavior, especially during the thirteenth-century. This is particularly evident in the late thirteenth-century Njal’s Saga, wherein a woman named Hallgerd has been villainized for stealing cheese from a troublesome neighbor. If Hallgerd were a man, this behavior would have been considered rán, which was a masculine act whereby men challenged one another to take things by force. As a woman, however, Hallgerd’s clever use of ordinary objects was unsettling to men; her act, although mirroring the masculine expectations of rán, has been condemned by the author. Thus, by emphasizing the anxieties of men regarding such behavior, it is evident that later male authors, particularly those writing from the late thirteenth century onwards, considered this behavior as preventing society’s progression away from extra-legal conflict resolution. In doing so, the author of Njal’s Saga demonstrated that both women and men were aware of the power that these ordinary objects had in the hands of ambitious women, as well as how potentially dangerous and harmful to society they could be. 2019-03-22T07:00:00Z text application/pdf https://scholarcommons.usf.edu/etd/7781 https://scholarcommons.usf.edu/cgi/viewcontent.cgi?article=8978&context=etd Graduate Theses and Dissertations Scholar Commons Clothing Food Gender Material Culture Sagas Medieval History Medieval Studies Scandinavian Studies
collection NDLTD
format Others
sources NDLTD
topic Clothing
Food
Gender
Material Culture
Sagas
Medieval History
Medieval Studies
Scandinavian Studies
spellingShingle Clothing
Food
Gender
Material Culture
Sagas
Medieval History
Medieval Studies
Scandinavian Studies
Dunn, Steven T.
Weaponizing Ordinary Objects: Women, Masculine Performance, and the Anxieties of Men in Medieval Iceland
description This thesis unravels the deeper meanings attributed to ordinary objects, such as clothing and food, in thirteenth-century Icelandic literature and legal records. I argue that women weaponized these ordinary objects to circumvent their social and legal disadvantages by performing acts that medieval Icelandic society deemed masculine. By comparing various literary sources, however, I show that medieval Icelandic society gradually redefined and questioned the acceptability of that behavior, especially during the thirteenth-century. This is particularly evident in the late thirteenth-century Njal’s Saga, wherein a woman named Hallgerd has been villainized for stealing cheese from a troublesome neighbor. If Hallgerd were a man, this behavior would have been considered rán, which was a masculine act whereby men challenged one another to take things by force. As a woman, however, Hallgerd’s clever use of ordinary objects was unsettling to men; her act, although mirroring the masculine expectations of rán, has been condemned by the author. Thus, by emphasizing the anxieties of men regarding such behavior, it is evident that later male authors, particularly those writing from the late thirteenth century onwards, considered this behavior as preventing society’s progression away from extra-legal conflict resolution. In doing so, the author of Njal’s Saga demonstrated that both women and men were aware of the power that these ordinary objects had in the hands of ambitious women, as well as how potentially dangerous and harmful to society they could be.
author Dunn, Steven T.
author_facet Dunn, Steven T.
author_sort Dunn, Steven T.
title Weaponizing Ordinary Objects: Women, Masculine Performance, and the Anxieties of Men in Medieval Iceland
title_short Weaponizing Ordinary Objects: Women, Masculine Performance, and the Anxieties of Men in Medieval Iceland
title_full Weaponizing Ordinary Objects: Women, Masculine Performance, and the Anxieties of Men in Medieval Iceland
title_fullStr Weaponizing Ordinary Objects: Women, Masculine Performance, and the Anxieties of Men in Medieval Iceland
title_full_unstemmed Weaponizing Ordinary Objects: Women, Masculine Performance, and the Anxieties of Men in Medieval Iceland
title_sort weaponizing ordinary objects: women, masculine performance, and the anxieties of men in medieval iceland
publisher Scholar Commons
publishDate 2019
url https://scholarcommons.usf.edu/etd/7781
https://scholarcommons.usf.edu/cgi/viewcontent.cgi?article=8978&context=etd
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