The Tyranny of Plot: Anzia Yezierska's Struggle to Free the Voices of Her Community through the Autobiographical Self

This thesis explores the very different ways that both the novel and autobiography mediate individual and group identities by comparing Anzia Yezierska's novel Salome of the Tenements to her autobiography Red Ribbon on a White Horse. Yezierska's texts establish the inherent difference bet...

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Main Author: Dowling, Kristie Kelly
Format: Others
Published: Scholar Commons 2011
Subjects:
Online Access:http://scholarcommons.usf.edu/etd/3080
http://scholarcommons.usf.edu/cgi/viewcontent.cgi?article=4275&context=etd
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spelling ndltd-USF-oai-scholarcommons.usf.edu-etd-42752015-09-30T04:40:28Z The Tyranny of Plot: Anzia Yezierska's Struggle to Free the Voices of Her Community through the Autobiographical Self Dowling, Kristie Kelly This thesis explores the very different ways that both the novel and autobiography mediate individual and group identities by comparing Anzia Yezierska's novel Salome of the Tenements to her autobiography Red Ribbon on a White Horse. Yezierska's texts establish the inherent difference between the novel and autobiography in that her novels contribute to the dominant ideology by colluding with the capitalist narrative of individualism while her autobiography resists that very narrative. In calling forth the multiple voices of her community, her autobiography reveals, in a series of metatextual comments, the fictional nature of the self and autobiography. Comparing these two narrative modes, and using the concept of the self as defined by Lacan, I will illustrate the trappings of the novel's construction, its emphasis on verb and the form of rising action, conflict, climax and resolution (what I call "the tyranny of the plot") to the sublimation of character. In foregoing character for plot, Yezierska's novels caricature Jewish identity in a way which ultimately engenders and reinforces Jewish stereotypes and also Jewish self-hatred. However, I will also argue that Yezierska's autobiography resists capitalism's master narrative of the American Dream in ways that her fiction simply does not and cannot. Not only is Red Ribbon on a White Horse under-studied, but the lack of any real comparative study between any immigrant fiction and immigrant autobiography is surprising. While many have theorized immigrant autobiography, there are few studies which have tried to understand the very real differences in these two modes. 2011-01-01T08:00:00Z text application/pdf http://scholarcommons.usf.edu/etd/3080 http://scholarcommons.usf.edu/cgi/viewcontent.cgi?article=4275&context=etd default Graduate Theses and Dissertations Scholar Commons American Dream capitalism immigrant Lacan narrative American Studies Arts and Humanities Ethnic Studies
collection NDLTD
format Others
sources NDLTD
topic American Dream
capitalism
immigrant
Lacan
narrative
American Studies
Arts and Humanities
Ethnic Studies
spellingShingle American Dream
capitalism
immigrant
Lacan
narrative
American Studies
Arts and Humanities
Ethnic Studies
Dowling, Kristie Kelly
The Tyranny of Plot: Anzia Yezierska's Struggle to Free the Voices of Her Community through the Autobiographical Self
description This thesis explores the very different ways that both the novel and autobiography mediate individual and group identities by comparing Anzia Yezierska's novel Salome of the Tenements to her autobiography Red Ribbon on a White Horse. Yezierska's texts establish the inherent difference between the novel and autobiography in that her novels contribute to the dominant ideology by colluding with the capitalist narrative of individualism while her autobiography resists that very narrative. In calling forth the multiple voices of her community, her autobiography reveals, in a series of metatextual comments, the fictional nature of the self and autobiography. Comparing these two narrative modes, and using the concept of the self as defined by Lacan, I will illustrate the trappings of the novel's construction, its emphasis on verb and the form of rising action, conflict, climax and resolution (what I call "the tyranny of the plot") to the sublimation of character. In foregoing character for plot, Yezierska's novels caricature Jewish identity in a way which ultimately engenders and reinforces Jewish stereotypes and also Jewish self-hatred. However, I will also argue that Yezierska's autobiography resists capitalism's master narrative of the American Dream in ways that her fiction simply does not and cannot. Not only is Red Ribbon on a White Horse under-studied, but the lack of any real comparative study between any immigrant fiction and immigrant autobiography is surprising. While many have theorized immigrant autobiography, there are few studies which have tried to understand the very real differences in these two modes.
author Dowling, Kristie Kelly
author_facet Dowling, Kristie Kelly
author_sort Dowling, Kristie Kelly
title The Tyranny of Plot: Anzia Yezierska's Struggle to Free the Voices of Her Community through the Autobiographical Self
title_short The Tyranny of Plot: Anzia Yezierska's Struggle to Free the Voices of Her Community through the Autobiographical Self
title_full The Tyranny of Plot: Anzia Yezierska's Struggle to Free the Voices of Her Community through the Autobiographical Self
title_fullStr The Tyranny of Plot: Anzia Yezierska's Struggle to Free the Voices of Her Community through the Autobiographical Self
title_full_unstemmed The Tyranny of Plot: Anzia Yezierska's Struggle to Free the Voices of Her Community through the Autobiographical Self
title_sort tyranny of plot: anzia yezierska's struggle to free the voices of her community through the autobiographical self
publisher Scholar Commons
publishDate 2011
url http://scholarcommons.usf.edu/etd/3080
http://scholarcommons.usf.edu/cgi/viewcontent.cgi?article=4275&context=etd
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