Politics and Poetry: Not so Separate Spheres (Voice of the Minority Muse)
This thesis contributes to continuing assessments of women writers and their political activities during the long eighteenth century. Analyzing works by Aphra Behn, Hannah More, and Anna Letitia Barbauld, I assert that these writers projected their voices into public affairs, and I explore their tre...
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ndltd-USF-oai-scholarcommons.usf.edu-etd-27922019-12-11T15:44:59Z Politics and Poetry: Not so Separate Spheres (Voice of the Minority Muse) Traina, Denice N This thesis contributes to continuing assessments of women writers and their political activities during the long eighteenth century. Analyzing works by Aphra Behn, Hannah More, and Anna Letitia Barbauld, I assert that these writers projected their voices into public affairs, and I explore their treatment of poetic forms. Through writing, they claimed equality with fellow authors and participated as equals beside the period's political leaders, debating about and commenting upon a wide array of concerns like the Glorious Revolution, the abolition of the slave trade, British military expansion, and religious and political liberties. This thesis argues that Behn, More, and Barbauld spoke as muses for the minority causes of their historical moment; their political-poetic participation further blurs the distinction between once held perceptions of the Habermasian public sphere. 2010-06-02T07:00:00Z text application/pdf https://scholarcommons.usf.edu/etd/1793 https://scholarcommons.usf.edu/cgi/viewcontent.cgi?article=2792&context=etd default Graduate Theses and Dissertations Scholar Commons 18th century Britain history religion women American Studies Arts and Humanities |
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18th century Britain history religion women American Studies Arts and Humanities |
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18th century Britain history religion women American Studies Arts and Humanities Traina, Denice N Politics and Poetry: Not so Separate Spheres (Voice of the Minority Muse) |
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This thesis contributes to continuing assessments of women writers and their political activities during the long eighteenth century. Analyzing works by Aphra Behn, Hannah More, and Anna Letitia Barbauld, I assert that these writers projected their voices into public affairs, and I explore their treatment of poetic forms. Through writing, they claimed equality with fellow authors and participated as equals beside the period's political leaders, debating about and commenting upon a wide array of concerns like the Glorious Revolution, the abolition of the slave trade, British military expansion, and religious and political liberties. This thesis argues that Behn, More, and Barbauld spoke as muses for the minority causes of their historical moment; their political-poetic participation further blurs the distinction between once held perceptions of the Habermasian public sphere. |
author |
Traina, Denice N |
author_facet |
Traina, Denice N |
author_sort |
Traina, Denice N |
title |
Politics and Poetry: Not so Separate Spheres (Voice of the Minority Muse) |
title_short |
Politics and Poetry: Not so Separate Spheres (Voice of the Minority Muse) |
title_full |
Politics and Poetry: Not so Separate Spheres (Voice of the Minority Muse) |
title_fullStr |
Politics and Poetry: Not so Separate Spheres (Voice of the Minority Muse) |
title_full_unstemmed |
Politics and Poetry: Not so Separate Spheres (Voice of the Minority Muse) |
title_sort |
politics and poetry: not so separate spheres (voice of the minority muse) |
publisher |
Scholar Commons |
publishDate |
2010 |
url |
https://scholarcommons.usf.edu/etd/1793 https://scholarcommons.usf.edu/cgi/viewcontent.cgi?article=2792&context=etd |
work_keys_str_mv |
AT trainadenicen politicsandpoetrynotsoseparatespheresvoiceoftheminoritymuse |
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1719302772514357248 |