Politics and Poetry: Not so Separate Spheres (Voice of the Minority Muse)

This thesis contributes to continuing assessments of women writers and their political activities during the long eighteenth century. Analyzing works by Aphra Behn, Hannah More, and Anna Letitia Barbauld, I assert that these writers projected their voices into public affairs, and I explore their tre...

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Main Author: Traina, Denice N
Format: Others
Published: Scholar Commons 2010
Subjects:
Online Access:https://scholarcommons.usf.edu/etd/1793
https://scholarcommons.usf.edu/cgi/viewcontent.cgi?article=2792&context=etd
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spelling ndltd-USF-oai-scholarcommons.usf.edu-etd-27922019-12-11T15:44:59Z Politics and Poetry: Not so Separate Spheres (Voice of the Minority Muse) Traina, Denice N This thesis contributes to continuing assessments of women writers and their political activities during the long eighteenth century. Analyzing works by Aphra Behn, Hannah More, and Anna Letitia Barbauld, I assert that these writers projected their voices into public affairs, and I explore their treatment of poetic forms. Through writing, they claimed equality with fellow authors and participated as equals beside the period's political leaders, debating about and commenting upon a wide array of concerns like the Glorious Revolution, the abolition of the slave trade, British military expansion, and religious and political liberties. This thesis argues that Behn, More, and Barbauld spoke as muses for the minority causes of their historical moment; their political-poetic participation further blurs the distinction between once held perceptions of the Habermasian public sphere. 2010-06-02T07:00:00Z text application/pdf https://scholarcommons.usf.edu/etd/1793 https://scholarcommons.usf.edu/cgi/viewcontent.cgi?article=2792&context=etd default Graduate Theses and Dissertations Scholar Commons 18th century Britain history religion women American Studies Arts and Humanities
collection NDLTD
format Others
sources NDLTD
topic 18th century
Britain
history
religion
women
American Studies
Arts and Humanities
spellingShingle 18th century
Britain
history
religion
women
American Studies
Arts and Humanities
Traina, Denice N
Politics and Poetry: Not so Separate Spheres (Voice of the Minority Muse)
description This thesis contributes to continuing assessments of women writers and their political activities during the long eighteenth century. Analyzing works by Aphra Behn, Hannah More, and Anna Letitia Barbauld, I assert that these writers projected their voices into public affairs, and I explore their treatment of poetic forms. Through writing, they claimed equality with fellow authors and participated as equals beside the period's political leaders, debating about and commenting upon a wide array of concerns like the Glorious Revolution, the abolition of the slave trade, British military expansion, and religious and political liberties. This thesis argues that Behn, More, and Barbauld spoke as muses for the minority causes of their historical moment; their political-poetic participation further blurs the distinction between once held perceptions of the Habermasian public sphere.
author Traina, Denice N
author_facet Traina, Denice N
author_sort Traina, Denice N
title Politics and Poetry: Not so Separate Spheres (Voice of the Minority Muse)
title_short Politics and Poetry: Not so Separate Spheres (Voice of the Minority Muse)
title_full Politics and Poetry: Not so Separate Spheres (Voice of the Minority Muse)
title_fullStr Politics and Poetry: Not so Separate Spheres (Voice of the Minority Muse)
title_full_unstemmed Politics and Poetry: Not so Separate Spheres (Voice of the Minority Muse)
title_sort politics and poetry: not so separate spheres (voice of the minority muse)
publisher Scholar Commons
publishDate 2010
url https://scholarcommons.usf.edu/etd/1793
https://scholarcommons.usf.edu/cgi/viewcontent.cgi?article=2792&context=etd
work_keys_str_mv AT trainadenicen politicsandpoetrynotsoseparatespheresvoiceoftheminoritymuse
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