Who Is the Shrew? : Irony as deconstruction in The Taming of the Shrew
In this thesis William Shakespeare’s comedy The Taming of The Shrew is analyzed from a feminist perspective. It is argued that the female characters Katherina and Bianca are mainly constructed through language expressed by male characters as binary oppositions. By an act of deconstruction within th...
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Högskolan Dalarna, Engelska
2011
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ndltd-UPSALLA1-oai-dalea.du.se-64882013-01-08T13:39:39ZWho Is the Shrew? : Irony as deconstruction in The Taming of the ShrewengRipa, ElisabethHögskolan Dalarna, EngelskaFalun2011The Taming of the ShrewShakespeareironydeconstructiongenderlanguage usethe InductionIn this thesis William Shakespeare’s comedy The Taming of The Shrew is analyzed from a feminist perspective. It is argued that the female characters Katherina and Bianca are mainly constructed through language expressed by male characters as binary oppositions. By an act of deconstruction within the play, these images, or constructed representations, are adjusted and somewhat reversed in the end. In addition, it is shown how the Induction, an introductory part of the play, adds aspects of construction and deconstruction, which supports an ironic reading and a questioning of the constructed gender roles. Student thesisinfo:eu-repo/semantics/bachelorThesistexthttp://urn.kb.se/resolve?urn=urn:nbn:se:du-6488application/pdfinfo:eu-repo/semantics/openAccess |
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English |
format |
Others
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The Taming of the Shrew Shakespeare irony deconstruction gender language use the Induction |
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The Taming of the Shrew Shakespeare irony deconstruction gender language use the Induction Ripa, Elisabeth Who Is the Shrew? : Irony as deconstruction in The Taming of the Shrew |
description |
In this thesis William Shakespeare’s comedy The Taming of The Shrew is analyzed from a feminist perspective. It is argued that the female characters Katherina and Bianca are mainly constructed through language expressed by male characters as binary oppositions. By an act of deconstruction within the play, these images, or constructed representations, are adjusted and somewhat reversed in the end. In addition, it is shown how the Induction, an introductory part of the play, adds aspects of construction and deconstruction, which supports an ironic reading and a questioning of the constructed gender roles. |
author |
Ripa, Elisabeth |
author_facet |
Ripa, Elisabeth |
author_sort |
Ripa, Elisabeth |
title |
Who Is the Shrew? : Irony as deconstruction in The Taming of the Shrew |
title_short |
Who Is the Shrew? : Irony as deconstruction in The Taming of the Shrew |
title_full |
Who Is the Shrew? : Irony as deconstruction in The Taming of the Shrew |
title_fullStr |
Who Is the Shrew? : Irony as deconstruction in The Taming of the Shrew |
title_full_unstemmed |
Who Is the Shrew? : Irony as deconstruction in The Taming of the Shrew |
title_sort |
who is the shrew? : irony as deconstruction in the taming of the shrew |
publisher |
Högskolan Dalarna, Engelska |
publishDate |
2011 |
url |
http://urn.kb.se/resolve?urn=urn:nbn:se:du-6488 |
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AT ripaelisabeth whoistheshrewironyasdeconstructioninthetamingoftheshrew |
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