Who Is the Shrew? : Irony as deconstruction in The Taming of the Shrew

In this thesis William Shakespeare’s comedy The Taming of The Shrew is analyzed from a feminist perspective. It is argued that the female characters Katherina and Bianca are mainly constructed through language expressed by male characters as binary oppositions. By an act of deconstruction within th...

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Main Author: Ripa, Elisabeth
Format: Others
Language:English
Published: Högskolan Dalarna, Engelska 2011
Subjects:
Online Access:http://urn.kb.se/resolve?urn=urn:nbn:se:du-6488
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spelling ndltd-UPSALLA1-oai-dalea.du.se-64882013-01-08T13:39:39ZWho Is the Shrew? : Irony as deconstruction in The Taming of the ShrewengRipa, ElisabethHögskolan Dalarna, EngelskaFalun2011The Taming of the ShrewShakespeareironydeconstructiongenderlanguage usethe InductionIn this thesis William Shakespeare’s comedy The Taming of The Shrew is analyzed from a feminist perspective. It is argued that the female characters Katherina and Bianca are mainly constructed through language expressed by male characters as binary oppositions. By an act of deconstruction within the play, these images, or constructed representations, are adjusted and somewhat reversed in the end. In addition, it is shown how the Induction, an introductory part of the play, adds aspects of construction and deconstruction, which supports an ironic reading and a questioning of the constructed gender roles. Student thesisinfo:eu-repo/semantics/bachelorThesistexthttp://urn.kb.se/resolve?urn=urn:nbn:se:du-6488application/pdfinfo:eu-repo/semantics/openAccess
collection NDLTD
language English
format Others
sources NDLTD
topic The Taming of the Shrew
Shakespeare
irony
deconstruction
gender
language use
the Induction
spellingShingle The Taming of the Shrew
Shakespeare
irony
deconstruction
gender
language use
the Induction
Ripa, Elisabeth
Who Is the Shrew? : Irony as deconstruction in The Taming of the Shrew
description In this thesis William Shakespeare’s comedy The Taming of The Shrew is analyzed from a feminist perspective. It is argued that the female characters Katherina and Bianca are mainly constructed through language expressed by male characters as binary oppositions. By an act of deconstruction within the play, these images, or constructed representations, are adjusted and somewhat reversed in the end. In addition, it is shown how the Induction, an introductory part of the play, adds aspects of construction and deconstruction, which supports an ironic reading and a questioning of the constructed gender roles.
author Ripa, Elisabeth
author_facet Ripa, Elisabeth
author_sort Ripa, Elisabeth
title Who Is the Shrew? : Irony as deconstruction in The Taming of the Shrew
title_short Who Is the Shrew? : Irony as deconstruction in The Taming of the Shrew
title_full Who Is the Shrew? : Irony as deconstruction in The Taming of the Shrew
title_fullStr Who Is the Shrew? : Irony as deconstruction in The Taming of the Shrew
title_full_unstemmed Who Is the Shrew? : Irony as deconstruction in The Taming of the Shrew
title_sort who is the shrew? : irony as deconstruction in the taming of the shrew
publisher Högskolan Dalarna, Engelska
publishDate 2011
url http://urn.kb.se/resolve?urn=urn:nbn:se:du-6488
work_keys_str_mv AT ripaelisabeth whoistheshrewironyasdeconstructioninthetamingoftheshrew
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