Fjortisgrubbel och tonårskärlek : – en genusstudie av två svenska ungdomsfilmer gjorda med 35 års mellanrum

• Main Author: Ilmoni, Annika
• Format: Others
• Language: Swedish
• Published: Uppsala universitet, Medier och kommunikation 2008
• Subjects: Teenage movie; post-modern feminism; gender construction; heterosexual relationship; Media and communication studies; Medie- och kommunikationsvetenskap
• Online Access: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-9149

Abstract Headline: Young trouble and teenage love (Fjortisgrubbel och tonårskärlek) Number of pages: 37 Author: Annika Ilmoni Tutor: Amelie Hössjer Course: Media and communication C Period: Autumn 2007 University: Division of Media and Communication, Department of Information Science, Uppsala University Purpose/aim: The purpose of the work was to produce a comparing study of two Swedish teenage films from different periods of time, 1970 and 2005. An analysis was to be made of how love between teenagers as well as the heterosexual relationship in general was depicted in each of the films and further investigate the gender construction in both films. Material/method: With the intention of narrowing down the complexity and make the evaluation more lucid 5 scenes from each film were used for comparison, these were chosen through the Anglo Saxon dramaturgy. To make the scenes more comparable 4 factors were used for analysis in each scene, these were: clothes, recreational activities, behaviour and environment. Beside the above given factors the heterosexual relationship were analysed and compared in each of the scenes through the theory of dominance in dialogue. Main results: The gender construction occurs obliviously in the older film from 1970 while taking place in a more conscious way in the film from 2005. Further on the heterosexual relationship is perpetually depicted in the 70’s film with a submissive girl and predominant boy, the same dominance is easily seen in the more recent film but with a higher rate of equality as the girl is portrayed as the dominant character in almost half of all scenes. A general note for the comparison of the two films is that a consciousness of gender construction does not lead to a direct elimination of these. Keywords: Teenage movie, post-modern feminism, gender construction, heterosexual relationship