Den otillåtna kvinnligheten : En jämförande analys av Ulla Bjernes romaner Ingen mans kvinna och Lilla Jälm
This thesis is a study of femininity and womanhood in two Swedish contemporary novels by Ulla Bjerne, Ingen mans kvinna (No Man’s Woman) from 1919 and Lilla Jälm (Young Jälm) from 1922. By comparing the novels, I study differences and similarities between the genres children’s literature and adult l...
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Uppsala universitet, Litteraturvetenskapliga institutionen
2020
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ndltd-UPSALLA1-oai-DiVA.org-uu-4133532020-06-17T03:37:34ZDen otillåtna kvinnligheten : En jämförande analys av Ulla Bjernes romaner Ingen mans kvinna och Lilla JälmsweThe forbidden femininity : A comparing study of the novels No Man’s Woman and Young Jälm by Ulla BjerneBergström, CarolineUppsala universitet, Litteraturvetenskapliga institutionen2020kvinnlighetgenusforskningden Nya kvinnanmellankrigstidsamtidsromanbarn- och ungdomslitteraturflickböckerGeneral Literature StudiesLitteraturvetenskapThis thesis is a study of femininity and womanhood in two Swedish contemporary novels by Ulla Bjerne, Ingen mans kvinna (No Man’s Woman) from 1919 and Lilla Jälm (Young Jälm) from 1922. By comparing the novels, I study differences and similarities between the genres children’s literature and adult literature based on an analysis of the themes friendship, home, work, body and sexuality. The period during which the novels were released are by previous research called a period of transition. Swedish women had just achieved legal right to vote aswell as extended opportunities of work. In Swedish interwar representations of the New woman figure. She breaks normative rules in both real life and literature. However, the normative way of being a woman according to traditional constructions remains. By using Yvonne Hirdman’s theory of the gender system and research about contemporary discussions I study how the author chose to produce and relate to the normative femininity and womanhood, and how the characters relate to these normative views and the formations of the New Woman. Both main characters pushes boundaries in their “gender contract”, but the difference is how it is received in the novel and therefore I make two conclusions; Rut Jälms socially forbidden femininity in Lilla Jälm is formed into a boundlessness, which leads to consequences she herself cannot control. Irma Borch in Ingen mans kvinna on the other hand has the power to make a living aswell as being the representative of a socially forbidden femininity based on the concept of the New Woman. Student thesisinfo:eu-repo/semantics/bachelorThesistexthttp://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-413353application/pdfinfo:eu-repo/semantics/openAccess |
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kvinnlighet genusforskning den Nya kvinnan mellankrigstid samtidsroman barn- och ungdomslitteratur flickböcker General Literature Studies Litteraturvetenskap |
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kvinnlighet genusforskning den Nya kvinnan mellankrigstid samtidsroman barn- och ungdomslitteratur flickböcker General Literature Studies Litteraturvetenskap Bergström, Caroline Den otillåtna kvinnligheten : En jämförande analys av Ulla Bjernes romaner Ingen mans kvinna och Lilla Jälm |
description |
This thesis is a study of femininity and womanhood in two Swedish contemporary novels by Ulla Bjerne, Ingen mans kvinna (No Man’s Woman) from 1919 and Lilla Jälm (Young Jälm) from 1922. By comparing the novels, I study differences and similarities between the genres children’s literature and adult literature based on an analysis of the themes friendship, home, work, body and sexuality. The period during which the novels were released are by previous research called a period of transition. Swedish women had just achieved legal right to vote aswell as extended opportunities of work. In Swedish interwar representations of the New woman figure. She breaks normative rules in both real life and literature. However, the normative way of being a woman according to traditional constructions remains. By using Yvonne Hirdman’s theory of the gender system and research about contemporary discussions I study how the author chose to produce and relate to the normative femininity and womanhood, and how the characters relate to these normative views and the formations of the New Woman. Both main characters pushes boundaries in their “gender contract”, but the difference is how it is received in the novel and therefore I make two conclusions; Rut Jälms socially forbidden femininity in Lilla Jälm is formed into a boundlessness, which leads to consequences she herself cannot control. Irma Borch in Ingen mans kvinna on the other hand has the power to make a living aswell as being the representative of a socially forbidden femininity based on the concept of the New Woman. |
author |
Bergström, Caroline |
author_facet |
Bergström, Caroline |
author_sort |
Bergström, Caroline |
title |
Den otillåtna kvinnligheten : En jämförande analys av Ulla Bjernes romaner Ingen mans kvinna och Lilla Jälm |
title_short |
Den otillåtna kvinnligheten : En jämförande analys av Ulla Bjernes romaner Ingen mans kvinna och Lilla Jälm |
title_full |
Den otillåtna kvinnligheten : En jämförande analys av Ulla Bjernes romaner Ingen mans kvinna och Lilla Jälm |
title_fullStr |
Den otillåtna kvinnligheten : En jämförande analys av Ulla Bjernes romaner Ingen mans kvinna och Lilla Jälm |
title_full_unstemmed |
Den otillåtna kvinnligheten : En jämförande analys av Ulla Bjernes romaner Ingen mans kvinna och Lilla Jälm |
title_sort |
den otillåtna kvinnligheten : en jämförande analys av ulla bjernes romaner ingen mans kvinna och lilla jälm |
publisher |
Uppsala universitet, Litteraturvetenskapliga institutionen |
publishDate |
2020 |
url |
http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-413353 |
work_keys_str_mv |
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_version_ |
1719320514266136576 |