The Sheela-na-gig and the creation of her history : a comparative analysis of two theories concerning the mysterious medieval figure

• Main Author: Pettersson, Joanna
• Format: Others
• Language: English
• Published: Uppsala universitet, Teologiska institutionen 2017
• Subjects: History of Religions; Sheela-na-gig; Sheila-na-gig; Romanesque; Art History; Fertility; Folklore; Folk Deity; Goddess; Childbirth; Lust; Sexuality; Anthony Weir; James Jerman; Barbara Freitag; Religionshistoria; Konsthistoria; Fertilitet; Gudom; Gudinna; Barnafödsel; Sexualitet
• Online Access: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-329942

After scholars started conducting research on the medieval Sheela-na-gig carvings, a number of theories regarding the purpose and origin of the figure have been suggested. The question has been tackled through many different approaches, but still remains unfinished as there are no written records explaining what the Sheela-na-gig figure actually is. Scholars have divided into different areas, approaching the discussion from different disciplines: art history, medieval social history, and religious history (both Christian and pre-Christian) to name a few. As the figure is usually found on Christian buildings but is distinguished by very sexual imagery, it leaves the door open for many interpretations. This thesis looks at two common theories on what the Sheela-na-gig is; one which is viewing her as a Romanesque warning against lust and sin, and one which argues that the figure is a folk deity used as an amulet for childbirth, symbolising both life and death. By using discourse theory and a comparative method, this thesis compares the descriptions and arguments of the different theories, and studies the intention behind them. The thesis then shows how the theories choose to focus their search for evidence in order to support their own perspective, while also excluding information which does not serve their particular agenda.