The Real Group : Evolution of Sound

Abstract Sara Wall: The Real Group-Evolution  of Sound. Institutionen for musikvetenskap, Uppsala universitet, 2002. 60 p.  The purpose of this thesis is to track the cause of The Real Group's evolution of sound by means of analyzing song recordings from three chronologically  selected albums....

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Main Author: Wall, Sara
Format: Others
Language:English
Published: Uppsala universitet, Institutionen för musikvetenskap 2002
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Online Access:http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-173677
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spelling ndltd-UPSALLA1-oai-DiVA.org-uu-1736772013-01-08T13:41:18ZThe Real Group : Evolution of SoundengWall, SaraUppsala universitet, Institutionen för musikvetenskap2002MusicMusikvetenskapAbstract Sara Wall: The Real Group-Evolution  of Sound. Institutionen for musikvetenskap, Uppsala universitet, 2002. 60 p.  The purpose of this thesis is to track the cause of The Real Group's evolution of sound by means of analyzing song recordings from three chronologically  selected albums. The areas of components used for the analysis are self-formulated and based on a variety of material and sources. In order to heighten the reader's understanding of the relatively new and abstract term, sound is described within the realm of pop and rock and applied to a cappellajazz. This is mainly accomplished with the help ofFer-Erik Brolinson and Holger Larsen's  previous studies within the realm of rock. Certain sound components from their analysis have been selected for use in my analysis. In my thesis, the history of a cappella is overviewed, as is the history of The Real Group. Lennart Reimers' essay from Choral music perspectives  is used in combination with American Richard Sparks' book The Swedish Choral Miracle:  Swedish A Cappella Music Since 1945 to describe how The Real Group has been affected by the Swedish a cappella tradition. Reimers'  presents three sets of"isms" that contribute to the formation of the Swedish a cappella tradition and Sparks bases his six components  on Reimers' "isms." The analysis of the songs is based on the following areas of components:  Vocal skill, Choice of repertoire, Diction, Effects processing, Overall "feel" and Text content. The eight selected songs fit into the following categories: Ballads, Upbeat/fast  tempo songs and Swedish songs. The results of the study conclude that the most motivating factors of change include vocal maturity, steadily increased skill, need for musical growth and expansion and change in personal maturity and perspective. The results are highlighted  by personal accounts given by group member Feder Karlsson. Student thesisinfo:eu-repo/semantics/bachelorThesistexthttp://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-173677application/pdfinfo:eu-repo/semantics/openAccess
collection NDLTD
language English
format Others
sources NDLTD
topic Music
Musikvetenskap
spellingShingle Music
Musikvetenskap
Wall, Sara
The Real Group : Evolution of Sound
description Abstract Sara Wall: The Real Group-Evolution  of Sound. Institutionen for musikvetenskap, Uppsala universitet, 2002. 60 p.  The purpose of this thesis is to track the cause of The Real Group's evolution of sound by means of analyzing song recordings from three chronologically  selected albums. The areas of components used for the analysis are self-formulated and based on a variety of material and sources. In order to heighten the reader's understanding of the relatively new and abstract term, sound is described within the realm of pop and rock and applied to a cappellajazz. This is mainly accomplished with the help ofFer-Erik Brolinson and Holger Larsen's  previous studies within the realm of rock. Certain sound components from their analysis have been selected for use in my analysis. In my thesis, the history of a cappella is overviewed, as is the history of The Real Group. Lennart Reimers' essay from Choral music perspectives  is used in combination with American Richard Sparks' book The Swedish Choral Miracle:  Swedish A Cappella Music Since 1945 to describe how The Real Group has been affected by the Swedish a cappella tradition. Reimers'  presents three sets of"isms" that contribute to the formation of the Swedish a cappella tradition and Sparks bases his six components  on Reimers' "isms." The analysis of the songs is based on the following areas of components:  Vocal skill, Choice of repertoire, Diction, Effects processing, Overall "feel" and Text content. The eight selected songs fit into the following categories: Ballads, Upbeat/fast  tempo songs and Swedish songs. The results of the study conclude that the most motivating factors of change include vocal maturity, steadily increased skill, need for musical growth and expansion and change in personal maturity and perspective. The results are highlighted  by personal accounts given by group member Feder Karlsson.
author Wall, Sara
author_facet Wall, Sara
author_sort Wall, Sara
title The Real Group : Evolution of Sound
title_short The Real Group : Evolution of Sound
title_full The Real Group : Evolution of Sound
title_fullStr The Real Group : Evolution of Sound
title_full_unstemmed The Real Group : Evolution of Sound
title_sort real group : evolution of sound
publisher Uppsala universitet, Institutionen för musikvetenskap
publishDate 2002
url http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-173677
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