Känsla för skådespelarkonst : mot en förståelse av tysta kunskaper och görandets fenomenologi
The primary argument in this thesis is that the common assumption that an actor has emotion inside him- or herself which can be evoked and projected outwards is an outdated misconception. A proposition is made to replace this possessive acting model, which underpins the realist tradition and is base...
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| Format: | Doctoral Thesis |
| Language: | Swedish |
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Umeå universitet, Institutionen för kultur- och medievetenskaper
2016
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| Online Access: | http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-120380 http://nbn-resolving.de/urn:isbn:978-91-85920-93-8 |