Orientalisk dans i Stockholm : Femininiteter, möjligheter och begränsningar

The aim of the dissertation is to describe and analyze the practice and meaning of Middle Eastern dance through the study of a number of performers in Stockholm. In particular, this study emphasises the ways in which the performers seek, create and defend values such as femininity, authenticity, emp...

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Main Author: Högström, Karin
Format: Doctoral Thesis
Language:Swedish
Published: Stockholms universitet, Institutionen för etnologi, religionshistoria och genusstudier 2010
Subjects:
Online Access:http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-37755
http://nbn-resolving.de/urn:isbn:978-91-86071-34-9
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spelling ndltd-UPSALLA1-oai-DiVA.org-su-377552015-06-17T04:50:40ZOrientalisk dans i Stockholm : Femininiteter, möjligheter och begränsningarsweMiddle Eastern Dance in Stockholm : Femininities, possibilities and limitationsHögström, KarinStockholms universitet, Institutionen för etnologi, religionshistoria och genusstudierStockholm2010Middle Eastern danceOriental dancebelly danceEgyptian dancefemininityorientalismauthenticityrespectabilityEthnologyEtnologiThe aim of the dissertation is to describe and analyze the practice and meaning of Middle Eastern dance through the study of a number of performers in Stockholm. In particular, this study emphasises the ways in which the performers seek, create and defend values such as femininity, authenticity, empowerment and respectability in and through their dancing. Data for this study consists of field notes from participant observation in dance classes, festivals and gatherings; in-depth interviews and written material, such as leaflets and Internet material. Field notes from a trip to Lebanon with a group of Swedish dancers are also included. The performance of Middle Eastern dance in Stockholm may be seen as a way for Swedish women to find new femininities. They strive to combine a glamorous hyper-femininity with strength and respectability. This is a difficult task. The dancers constantly have to maintain a balance. While enjoying the hyper-femininity of oriental dance they must avoid being too sexy and thereby running the risk of being reduced to the position of sexual objects. To avoid losing control of the situation performing in public the dancers use different tactics. Many try to make the performance a clearly bounded event and make distinctions between themselves as individuals and the personas they embody on stage. This gives the performers a chance to playfully embody hyper-femininity. Other dancers have changed the dance itself, removing all movements and costumes that could be perceived as sexually inviting or aiming to please. Doctoral thesis, monographinfo:eu-repo/semantics/doctoralThesistexthttp://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-37755urn:isbn:978-91-86071-34-9Stockholm studies in ethnology, 1653-851X ; 4application/pdfinfo:eu-repo/semantics/openAccess
collection NDLTD
language Swedish
format Doctoral Thesis
sources NDLTD
topic Middle Eastern dance
Oriental dance
belly dance
Egyptian dance
femininity
orientalism
authenticity
respectability
Ethnology
Etnologi
spellingShingle Middle Eastern dance
Oriental dance
belly dance
Egyptian dance
femininity
orientalism
authenticity
respectability
Ethnology
Etnologi
Högström, Karin
Orientalisk dans i Stockholm : Femininiteter, möjligheter och begränsningar
description The aim of the dissertation is to describe and analyze the practice and meaning of Middle Eastern dance through the study of a number of performers in Stockholm. In particular, this study emphasises the ways in which the performers seek, create and defend values such as femininity, authenticity, empowerment and respectability in and through their dancing. Data for this study consists of field notes from participant observation in dance classes, festivals and gatherings; in-depth interviews and written material, such as leaflets and Internet material. Field notes from a trip to Lebanon with a group of Swedish dancers are also included. The performance of Middle Eastern dance in Stockholm may be seen as a way for Swedish women to find new femininities. They strive to combine a glamorous hyper-femininity with strength and respectability. This is a difficult task. The dancers constantly have to maintain a balance. While enjoying the hyper-femininity of oriental dance they must avoid being too sexy and thereby running the risk of being reduced to the position of sexual objects. To avoid losing control of the situation performing in public the dancers use different tactics. Many try to make the performance a clearly bounded event and make distinctions between themselves as individuals and the personas they embody on stage. This gives the performers a chance to playfully embody hyper-femininity. Other dancers have changed the dance itself, removing all movements and costumes that could be perceived as sexually inviting or aiming to please.
author Högström, Karin
author_facet Högström, Karin
author_sort Högström, Karin
title Orientalisk dans i Stockholm : Femininiteter, möjligheter och begränsningar
title_short Orientalisk dans i Stockholm : Femininiteter, möjligheter och begränsningar
title_full Orientalisk dans i Stockholm : Femininiteter, möjligheter och begränsningar
title_fullStr Orientalisk dans i Stockholm : Femininiteter, möjligheter och begränsningar
title_full_unstemmed Orientalisk dans i Stockholm : Femininiteter, möjligheter och begränsningar
title_sort orientalisk dans i stockholm : femininiteter, möjligheter och begränsningar
publisher Stockholms universitet, Institutionen för etnologi, religionshistoria och genusstudier
publishDate 2010
url http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-37755
http://nbn-resolving.de/urn:isbn:978-91-86071-34-9
work_keys_str_mv AT hogstromkarin orientaliskdansistockholmfemininitetermojligheterochbegransningar
AT hogstromkarin middleeasterndanceinstockholmfemininitiespossibilitiesandlimitations
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