Framing “contemporaneity” in public museums of art and visual culture in the 21st Century : A study of the impact of acquisition policies of the Moderna Museet and M+ through the lens of actor-network theories
In the 21st century, public museums who are collecting contemporary art has simultaneously begun to reframe the role of museums in society. Two museums – the Moderna Museet of Stockholm and M+ of Hong Kong that have completely different historic and geographic backgrounds, as well as operating model...
Main Author: | Lam, Chi Hang |
---|---|
Format: | Others |
Language: | English |
Published: |
Stockholms universitet, Institutionen för kultur och estetik
2021
|
Subjects: | |
Online Access: | http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-194885 |
Similar Items
-
‘Deconstructing Gao Minglu: critical reflections on contemporaneity and associated exceptionalist readings of contemporary Chinese art’
by: Paul Gladston
Published: (2014-06-01) -
On the contemporary – and contemporary art history. A review of Terry Smith, What Is Contemporary Art
by: Anthony Gardner, et al.
Published: (2011-06-01) -
CAN YOU PLEASE LOOK AT THIS / VOITKO KATTOO : Master essay 2018 / Hinni Huttunen
by: Huttunen, Hinni
Published: (2018) -
Foreword 前言
by: Gao Minglu
Published: (2015-08-01) -
On the Coevalities of the Contemporary in Cambodia: Review: Sampot: The Collection of Small Things by Chan Dany
by: Roger Nelson
Published: (2014-06-01)