Istället verka de ofta skadligt och förråande : Kunskapsanspråk gällande behovet av förhandsgranskning av film under tidigt 1900-tal

During the beginning of the cinema media era around the turn of 20th century, a debate prevailed in Sweden about the film’s harmful and negative moral impact on children and young people. This study aims to investigate the debaters’ knowledge claims regarding a preview of a publicly shown film and i...

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Bibliographic Details
Main Author: Odhammar, Fredrik
Format: Others
Language:Swedish
Published: Stockholms universitet, Institutionen för kultur och estetik 2021
Subjects:
Online Access:http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-190425
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spelling ndltd-UPSALLA1-oai-DiVA.org-su-1904252021-02-18T05:29:09ZIstället verka de ofta skadligt och förråande : Kunskapsanspråk gällande behovet av förhandsgranskning av film under tidigt 1900-talsweInstead, they often seem harmful and outrageous : Knowledge claims regarding the need of film censorship during the early 20th centuryOdhammar, FredrikStockholms universitet, Institutionen för kultur och estetik2021film censorshipknowledge claimmoral assumptionknowledge legitimacyyouth developmentparliamentary motionfilm mediaHumanities and the ArtsHumaniora och konstDuring the beginning of the cinema media era around the turn of 20th century, a debate prevailed in Sweden about the film’s harmful and negative moral impact on children and young people. This study aims to investigate the debaters’ knowledge claims regarding a preview of a publicly shown film and if it is related to their morality. The following questions were asked: 1. What knowledge claims are made in connection with the need for prior control over the film that is shown in public? 2. What is presented as the basis for the legitimacy of these knowledge claims? 3. How do these knowledge claims change during its path to legal text? 4. What was the relationship between the presented knowledge claims and a moral perception prevailing among the debaters? A debate paper, a parliamentary motion from 1909 and the public inquiry before the decision to create the Swedish Agency of Movie Censors were analysed with argumentation analysis and thematic analysis with a perspective of history of knowledge. This study points at various aspects such as medical, psychological, social structure and moral arguments, which were put forward as arguments for a regulation of the new film medium. The knowledge claims were justified by professional expertise, general knowledge, experiences from other countries and the debaters’ prior knowledge of the subject. A strong fear of ruining a good existing moral conception that exists in the growing generation emerges. The analysis describes a change in knowledge claims: the moral arguments diminish along the way towards the legal text. Furthermore, the study points at the necessity for continued research to increase the understanding of how legitimacy of knowledge is created by an influential group and then passed on. Student thesisinfo:eu-repo/semantics/bachelorThesistexthttp://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-190425application/pdfinfo:eu-repo/semantics/openAccess
collection NDLTD
language Swedish
format Others
sources NDLTD
topic film censorship
knowledge claim
moral assumption
knowledge legitimacy
youth development
parliamentary motion
film media
Humanities and the Arts
Humaniora och konst
spellingShingle film censorship
knowledge claim
moral assumption
knowledge legitimacy
youth development
parliamentary motion
film media
Humanities and the Arts
Humaniora och konst
Odhammar, Fredrik
Istället verka de ofta skadligt och förråande : Kunskapsanspråk gällande behovet av förhandsgranskning av film under tidigt 1900-tal
description During the beginning of the cinema media era around the turn of 20th century, a debate prevailed in Sweden about the film’s harmful and negative moral impact on children and young people. This study aims to investigate the debaters’ knowledge claims regarding a preview of a publicly shown film and if it is related to their morality. The following questions were asked: 1. What knowledge claims are made in connection with the need for prior control over the film that is shown in public? 2. What is presented as the basis for the legitimacy of these knowledge claims? 3. How do these knowledge claims change during its path to legal text? 4. What was the relationship between the presented knowledge claims and a moral perception prevailing among the debaters? A debate paper, a parliamentary motion from 1909 and the public inquiry before the decision to create the Swedish Agency of Movie Censors were analysed with argumentation analysis and thematic analysis with a perspective of history of knowledge. This study points at various aspects such as medical, psychological, social structure and moral arguments, which were put forward as arguments for a regulation of the new film medium. The knowledge claims were justified by professional expertise, general knowledge, experiences from other countries and the debaters’ prior knowledge of the subject. A strong fear of ruining a good existing moral conception that exists in the growing generation emerges. The analysis describes a change in knowledge claims: the moral arguments diminish along the way towards the legal text. Furthermore, the study points at the necessity for continued research to increase the understanding of how legitimacy of knowledge is created by an influential group and then passed on.
author Odhammar, Fredrik
author_facet Odhammar, Fredrik
author_sort Odhammar, Fredrik
title Istället verka de ofta skadligt och förråande : Kunskapsanspråk gällande behovet av förhandsgranskning av film under tidigt 1900-tal
title_short Istället verka de ofta skadligt och förråande : Kunskapsanspråk gällande behovet av förhandsgranskning av film under tidigt 1900-tal
title_full Istället verka de ofta skadligt och förråande : Kunskapsanspråk gällande behovet av förhandsgranskning av film under tidigt 1900-tal
title_fullStr Istället verka de ofta skadligt och förråande : Kunskapsanspråk gällande behovet av förhandsgranskning av film under tidigt 1900-tal
title_full_unstemmed Istället verka de ofta skadligt och förråande : Kunskapsanspråk gällande behovet av förhandsgranskning av film under tidigt 1900-tal
title_sort istället verka de ofta skadligt och förråande : kunskapsanspråk gällande behovet av förhandsgranskning av film under tidigt 1900-tal
publisher Stockholms universitet, Institutionen för kultur och estetik
publishDate 2021
url http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-190425
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