Die Kunst der Kürze : Zu den Auswirkungen der Sprachknappheit auf die narrativen Elemente “Zeit” und “Raum” in Stephan Groetzners So ist das

• Main Author: Vukelic, Natasa
• Format: Others
• Language: German
• Published: Stockholms universitet, Tyska 2017
• Subjects: Stephan Groetzner; So ist das; Sprachkürze; Sprachknappheit; Raum; Zeit; Absurdismus; Narratologie; Narrativität; Momentaufnahmen; Sequenzialität; Roman; erzählen wie Comics; filmisches Schreiben; Zeitraffer; General Literature Studies; Litteraturvetenskap
• Online Access: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-145386

Stephan Groetzner is a contemporary German writer whose book So ist das is said to be mysterious— the novel surprises with its conciseness as well as the mix of an unusual, almost poetic form and a simple syntax. It thus opens the doors to various interpretations. The thesis deals with the question if the brief and concise language in So ist das influences the development of the narrative elements time and space. Furthermore, it canvasses the consequences its influence might have when it comes to genre attribution. The essential theories for the discussion are Shlomith Rimmon-Kenan's Narrative Fiction, Scott McCloud's Understanding Comics as well as Nicole Mahne's Transmediale Erzähltheorie, with a narratological perspective on time and space. Moreover, literary-historical works like Andrew Thacker's The Imagist Poets, Yoshinobu Hakutani's Haiku and Modernist Poetics, Bertram Müller's Absurde Literatur in Rußland as well as Albert Camus' The Myth of Sisyphus play a decisive role in the analysis. The goal of this thesis is to bring the unique style of a rather unknown contemporary writer from Germany into the context of other art forms like comics, haiku, imagism and absurdism, and to discuss what kind of outcomes the conciseness might have, regarding its influence on the narrative elements time and space as well as on the genre attribution.