Bortom ”könet”? : om Simones förvandling, avslöjande och återställande i Ulf Starks Dårfinkar & dönickar (1984)

The aim of this paper is to analyse how subject, gender and sexuality is constructed in the book Dårfinkar & dönickar (1984), by Ulf Stark. In relation to this I have also analysed how the main character, Simone, develops from being a child into becoming a teenager. Queertheory is the theore...

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Main Author: Chaitas, Maria
Format: Others
Language:Swedish
Published: Södertörns högskola, Institutionen för genus, historia, litteratur och religion 2004
Subjects:
Online Access:http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-112
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spelling ndltd-UPSALLA1-oai-DiVA.org-sh-1122013-01-08T13:46:01ZBortom ”könet”? : om Simones förvandling, avslöjande och återställande i Ulf Starks Dårfinkar & dönickar (1984)sweBeyond “gender”? : Simone`s transformation, unveiling and restoration in Ulf Stark`s Dårfinkar & dönickar (1984).Chaitas, MariaSödertörns högskola, Institutionen för genus, historia, litteratur och religion2004heterosexual matrixperformativitycross-dressingandrogyny and triangular desireLiteratureGender studiesLitteraturvetenskapGenusforskningLiteratureLitteraturvetenskapGender studiesGenusThe aim of this paper is to analyse how subject, gender and sexuality is constructed in the book Dårfinkar & dönickar (1984), by Ulf Stark. In relation to this I have also analysed how the main character, Simone, develops from being a child into becoming a teenager. Queertheory is the theoretical basis of this paper. Queer theory questions heteronormativity and aims to dissolve conceptions and notions that function in an excluding and limiting way. Queer theory also questions conceptions that seem obvious and/or natural, for example “woman”/”man” and “homo-/heterosexuality”. I have chosen to focus the analysis on a number key events in the book and they are categorised according to Tiina Rosenberg`s three dramaturgic concepts: transformation, unveiling and restoration. I have also focused on how masculinities are constructed and to be able to this I have used R. W Connel`s theory. The result of my analysis is that the representation of gender in the book are constructed in accordance to the heterosexual matrix. It is also clear that Simone`s development from childhood to teenager follows Rosenberg`s three dramaturgic concepts. Student thesisinfo:eu-repo/semantics/bachelorThesistexthttp://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-112application/pdfinfo:eu-repo/semantics/openAccess
collection NDLTD
language Swedish
format Others
sources NDLTD
topic heterosexual matrix
performativity
cross-dressing
androgyny and triangular desire
Literature
Gender studies
Litteraturvetenskap
Genusforskning
Literature
Litteraturvetenskap
Gender studies
Genus
spellingShingle heterosexual matrix
performativity
cross-dressing
androgyny and triangular desire
Literature
Gender studies
Litteraturvetenskap
Genusforskning
Literature
Litteraturvetenskap
Gender studies
Genus
Chaitas, Maria
Bortom ”könet”? : om Simones förvandling, avslöjande och återställande i Ulf Starks Dårfinkar & dönickar (1984)
description The aim of this paper is to analyse how subject, gender and sexuality is constructed in the book Dårfinkar & dönickar (1984), by Ulf Stark. In relation to this I have also analysed how the main character, Simone, develops from being a child into becoming a teenager. Queertheory is the theoretical basis of this paper. Queer theory questions heteronormativity and aims to dissolve conceptions and notions that function in an excluding and limiting way. Queer theory also questions conceptions that seem obvious and/or natural, for example “woman”/”man” and “homo-/heterosexuality”. I have chosen to focus the analysis on a number key events in the book and they are categorised according to Tiina Rosenberg`s three dramaturgic concepts: transformation, unveiling and restoration. I have also focused on how masculinities are constructed and to be able to this I have used R. W Connel`s theory. The result of my analysis is that the representation of gender in the book are constructed in accordance to the heterosexual matrix. It is also clear that Simone`s development from childhood to teenager follows Rosenberg`s three dramaturgic concepts.
author Chaitas, Maria
author_facet Chaitas, Maria
author_sort Chaitas, Maria
title Bortom ”könet”? : om Simones förvandling, avslöjande och återställande i Ulf Starks Dårfinkar & dönickar (1984)
title_short Bortom ”könet”? : om Simones förvandling, avslöjande och återställande i Ulf Starks Dårfinkar & dönickar (1984)
title_full Bortom ”könet”? : om Simones förvandling, avslöjande och återställande i Ulf Starks Dårfinkar & dönickar (1984)
title_fullStr Bortom ”könet”? : om Simones förvandling, avslöjande och återställande i Ulf Starks Dårfinkar & dönickar (1984)
title_full_unstemmed Bortom ”könet”? : om Simones förvandling, avslöjande och återställande i Ulf Starks Dårfinkar & dönickar (1984)
title_sort bortom ”könet”? : om simones förvandling, avslöjande och återställande i ulf starks dårfinkar & dönickar (1984)
publisher Södertörns högskola, Institutionen för genus, historia, litteratur och religion
publishDate 2004
url http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-112
work_keys_str_mv AT chaitasmaria bortomkonetomsimonesforvandlingavslojandeochaterstallandeiulfstarksdarfinkarampdonickar1984
AT chaitasmaria beyondgendersimonestransformationunveilingandrestorationinulfstarksdarfinkarampdonickar1984
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