Participatory Art for Social Change? : A study of the quest for genuine participation

A number of theories suggest that participatory arts based approaches have the potential to contribute to development and social change. However, the nature of participation and participative approaches is multi-layered and complex, and critics have voiced concern for depicting participatory art ini...

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Main Author: Gabriella, Johansson
Format: Others
Language:English
Published: Malmö universitet, Malmö högskola, Institutionen för konst, kultur och kommunikation (K3) 2020
Subjects:
Art
Online Access:http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-36700
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spelling ndltd-UPSALLA1-oai-DiVA.org-mau-367002020-11-20T05:28:19ZParticipatory Art for Social Change? : A study of the quest for genuine participationengGabriella, JohanssonMalmö universitet, Malmö högskola, Institutionen för konst, kultur och kommunikation (K3)2020ParticipationArtCommunicationDevelopmentParticipatory ArtCommunity ArtCommunication StudiesKommunikationsvetenskapMedia StudiesMedievetenskapOther Social Sciences not elsewhere specifiedÖvrig annan samhällsvetenskapGlobalisation StudiesGlobaliseringsstudierA number of theories suggest that participatory arts based approaches have the potential to contribute to development and social change. However, the nature of participation and participative approaches is multi-layered and complex, and critics have voiced concern for depicting participatory art initiatives in an oversimplified, uncriticised positivistic manner. The danger of such assumptions lay in the risk of manipulation, where non-genuine participation could contribute to the reinforcement of oppressive power structures and the dominating hegemony. This study explores the intersection of art, participation and development, and further aims to discuss the process of identifying the emancipatory possibilities and limitations of participatory art for development and social change. Using a combination of a constructivist case study approach and critical discourse analysis, two participatory art organisations are analysed with the intention to define each organisations’ understanding of the nature of participatory art, and further how this is reflected in the implementation of their work. The findings suggest that both organisations, to a certain degree, communicate an understanding of participation that reflect previous theories on genuine participation. Additionally, the findings suggest that this understanding is reflected in the practical work of the organisations. Student thesisinfo:eu-repo/semantics/bachelorThesistexthttp://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-36700application/pdfinfo:eu-repo/semantics/openAccess
collection NDLTD
language English
format Others
sources NDLTD
topic Participation
Art
Communication
Development
Participatory Art
Community Art
Communication Studies
Kommunikationsvetenskap
Media Studies
Medievetenskap
Other Social Sciences not elsewhere specified
Övrig annan samhällsvetenskap
Globalisation Studies
Globaliseringsstudier
spellingShingle Participation
Art
Communication
Development
Participatory Art
Community Art
Communication Studies
Kommunikationsvetenskap
Media Studies
Medievetenskap
Other Social Sciences not elsewhere specified
Övrig annan samhällsvetenskap
Globalisation Studies
Globaliseringsstudier
Gabriella, Johansson
Participatory Art for Social Change? : A study of the quest for genuine participation
description A number of theories suggest that participatory arts based approaches have the potential to contribute to development and social change. However, the nature of participation and participative approaches is multi-layered and complex, and critics have voiced concern for depicting participatory art initiatives in an oversimplified, uncriticised positivistic manner. The danger of such assumptions lay in the risk of manipulation, where non-genuine participation could contribute to the reinforcement of oppressive power structures and the dominating hegemony. This study explores the intersection of art, participation and development, and further aims to discuss the process of identifying the emancipatory possibilities and limitations of participatory art for development and social change. Using a combination of a constructivist case study approach and critical discourse analysis, two participatory art organisations are analysed with the intention to define each organisations’ understanding of the nature of participatory art, and further how this is reflected in the implementation of their work. The findings suggest that both organisations, to a certain degree, communicate an understanding of participation that reflect previous theories on genuine participation. Additionally, the findings suggest that this understanding is reflected in the practical work of the organisations.
author Gabriella, Johansson
author_facet Gabriella, Johansson
author_sort Gabriella, Johansson
title Participatory Art for Social Change? : A study of the quest for genuine participation
title_short Participatory Art for Social Change? : A study of the quest for genuine participation
title_full Participatory Art for Social Change? : A study of the quest for genuine participation
title_fullStr Participatory Art for Social Change? : A study of the quest for genuine participation
title_full_unstemmed Participatory Art for Social Change? : A study of the quest for genuine participation
title_sort participatory art for social change? : a study of the quest for genuine participation
publisher Malmö universitet, Malmö högskola, Institutionen för konst, kultur och kommunikation (K3)
publishDate 2020
url http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-36700
work_keys_str_mv AT gabriellajohansson participatoryartforsocialchangeastudyofthequestforgenuineparticipation
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