Trombonrösten på olika altituder : Registrets påverkan på musikens beståndsdelar

This thesis is about register and how it affects my playing through compositions and improvisation. As a brass musician, the high and low range is something that takes a lot of effort to master. How important is register for my artistic expression and how does register influence my music?  My method...

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Bibliographic Details
Main Author: Skogh, Simon
Format: Others
Language:Swedish
Published: Kungl. Musikhögskolan, Institutionen för jazz 2021
Subjects:
Online Access:http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-4051
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spelling ndltd-UPSALLA1-oai-DiVA.org-kmh-40512021-06-05T05:44:31ZTrombonrösten på olika altituder : Registrets påverkan på musikens beståndsdelarsweSkogh, SimonKungl. Musikhögskolan, Institutionen för jazz2021jazzbrass instrumenttrombonebass tromboneMusicMusikThis thesis is about register and how it affects my playing through compositions and improvisation. As a brass musician, the high and low range is something that takes a lot of effort to master. How important is register for my artistic expression and how does register influence my music?  My method to test this is by composing with a template where I have three musical components that I arrange in different registers. The first component is melody. The second one is ostinato, which in this thesis means something rhythmical that creates movement through time. The last component is harmony.  In the next part of the thesis, I analyze all of my compositions and describe how I have worked with the template. I have also written about what difficulties we encountered as a band when we rehearsed the music. The band consists of me on trombone and bass trombone, Olle Vikström on tenor and baryton saxophone, Sara Karkkonen on piano, Johan Tengholm on bass and Henrik Jäderberg on drums. In the end of this thesis I discuss how register have influenced how the components work together like the clarity of the melody and how the harmony is affected by the melody.I find the instrumentation is of higher influence than the register but this specific constellation of instruments may have influenced how I perceive the components.  <p>Konserten innehöll Fem originalkompositioner av Simon Skogh</p><p>Det var följande låtar</p><p>Vårflod</p><p>Väg 83</p><p>Stresspåsag</p><p>Reserestriktioner</p><p>Lyckligt slut</p><p></p><p>Medverkande musiker var</p><p>Simon Skogh tenortrombon och bastrombon</p><p>Olle Vikström tenorsaxofon och barytonsaxofon</p><p>Sara Karkkonen piano</p><p>Johan Tengholm Bas</p><p>Henrik Jäderberg Trummor</p><p></p><p>På grund av ett tekniskt fel fungerar inte en video som är inlagd i mitt arbete på sida 5 den är därför en egen fil uppladdad här.</p>Student thesisinfo:eu-repo/semantics/bachelorThesistexthttp://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-4051application/pdfinfo:eu-repo/semantics/openAccess
collection NDLTD
language Swedish
format Others
sources NDLTD
topic jazz
brass instrument
trombone
bass trombone
Music
Musik
spellingShingle jazz
brass instrument
trombone
bass trombone
Music
Musik
Skogh, Simon
Trombonrösten på olika altituder : Registrets påverkan på musikens beståndsdelar
description This thesis is about register and how it affects my playing through compositions and improvisation. As a brass musician, the high and low range is something that takes a lot of effort to master. How important is register for my artistic expression and how does register influence my music?  My method to test this is by composing with a template where I have three musical components that I arrange in different registers. The first component is melody. The second one is ostinato, which in this thesis means something rhythmical that creates movement through time. The last component is harmony.  In the next part of the thesis, I analyze all of my compositions and describe how I have worked with the template. I have also written about what difficulties we encountered as a band when we rehearsed the music. The band consists of me on trombone and bass trombone, Olle Vikström on tenor and baryton saxophone, Sara Karkkonen on piano, Johan Tengholm on bass and Henrik Jäderberg on drums. In the end of this thesis I discuss how register have influenced how the components work together like the clarity of the melody and how the harmony is affected by the melody.I find the instrumentation is of higher influence than the register but this specific constellation of instruments may have influenced how I perceive the components.  === <p>Konserten innehöll Fem originalkompositioner av Simon Skogh</p><p>Det var följande låtar</p><p>Vårflod</p><p>Väg 83</p><p>Stresspåsag</p><p>Reserestriktioner</p><p>Lyckligt slut</p><p></p><p>Medverkande musiker var</p><p>Simon Skogh tenortrombon och bastrombon</p><p>Olle Vikström tenorsaxofon och barytonsaxofon</p><p>Sara Karkkonen piano</p><p>Johan Tengholm Bas</p><p>Henrik Jäderberg Trummor</p><p></p><p>På grund av ett tekniskt fel fungerar inte en video som är inlagd i mitt arbete på sida 5 den är därför en egen fil uppladdad här.</p>
author Skogh, Simon
author_facet Skogh, Simon
author_sort Skogh, Simon
title Trombonrösten på olika altituder : Registrets påverkan på musikens beståndsdelar
title_short Trombonrösten på olika altituder : Registrets påverkan på musikens beståndsdelar
title_full Trombonrösten på olika altituder : Registrets påverkan på musikens beståndsdelar
title_fullStr Trombonrösten på olika altituder : Registrets påverkan på musikens beståndsdelar
title_full_unstemmed Trombonrösten på olika altituder : Registrets påverkan på musikens beståndsdelar
title_sort trombonrösten på olika altituder : registrets påverkan på musikens beståndsdelar
publisher Kungl. Musikhögskolan, Institutionen för jazz
publishDate 2021
url http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-4051
work_keys_str_mv AT skoghsimon trombonrostenpaolikaaltituderregistretspaverkanpamusikensbestandsdelar
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