Xenakis Rebonds b : Preperation, Practise and Performance
Every percussionist is faced with many challenges in their studies and their careers. In this paper I hope to shed light on what kind of work goes into preparing, practising and performing a large solo percussion piece and share some of my personal experience with solo percussion music. This is don...
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Kungl. Musikhögskolan, Institutionen för klassisk musik
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ndltd-UPSALLA1-oai-DiVA.org-kmh-26942018-05-15T05:23:40ZXenakis Rebonds b : Preperation, Practise and PerformanceengThorleiksson, HelgiKungl. Musikhögskolan, Institutionen för klassisk musik2018Iannis XenakisRebonds bSolo PercussionMusicMusikEvery percussionist is faced with many challenges in their studies and their careers. In this paper I hope to shed light on what kind of work goes into preparing, practising and performing a large solo percussion piece and share some of my personal experience with solo percussion music. This is done by choosing a piece from the repertoire and documenting what processes and methods are used from the time a piece has been chosen until it is ready for performance. The subject of this thesis is Rebonds b by Iannis Xenakis for solo percussion. The result is a blueprint that can be useful for young percussionists when they are faced with a large piece from the repertoire and guidelines for what to do when faced with challenges. <p>Iannis Xenakis - Rebonds b</p><p>Keiko Abe - Wind Sketch</p><p>George Hamilton Green - Valse Brilliante (arr. Bob Becker)</p><p>Jaques Delecluse - Etude no. 29 for timpani</p><p>Jaques Delecluse - Etude no. 6 for snare drum</p><p>Jaques Delecluse - Test Claire</p><p>Mitchell Peters - Etude no. 3 from Hard Times</p><p>Hanz Kruger - Etude no. 45 for timpani</p>Student thesisinfo:eu-repo/semantics/bachelorThesistexthttp://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2694application/pdfinfo:eu-repo/semantics/openAccess |
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English |
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Others
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Iannis Xenakis Rebonds b Solo Percussion Music Musik |
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Iannis Xenakis Rebonds b Solo Percussion Music Musik Thorleiksson, Helgi Xenakis Rebonds b : Preperation, Practise and Performance |
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Every percussionist is faced with many challenges in their studies and their careers. In this paper I hope to shed light on what kind of work goes into preparing, practising and performing a large solo percussion piece and share some of my personal experience with solo percussion music. This is done by choosing a piece from the repertoire and documenting what processes and methods are used from the time a piece has been chosen until it is ready for performance. The subject of this thesis is Rebonds b by Iannis Xenakis for solo percussion. The result is a blueprint that can be useful for young percussionists when they are faced with a large piece from the repertoire and guidelines for what to do when faced with challenges. === <p>Iannis Xenakis - Rebonds b</p><p>Keiko Abe - Wind Sketch</p><p>George Hamilton Green - Valse Brilliante (arr. Bob Becker)</p><p>Jaques Delecluse - Etude no. 29 for timpani</p><p>Jaques Delecluse - Etude no. 6 for snare drum</p><p>Jaques Delecluse - Test Claire</p><p>Mitchell Peters - Etude no. 3 from Hard Times</p><p>Hanz Kruger - Etude no. 45 for timpani</p> |
author |
Thorleiksson, Helgi |
author_facet |
Thorleiksson, Helgi |
author_sort |
Thorleiksson, Helgi |
title |
Xenakis Rebonds b : Preperation, Practise and Performance |
title_short |
Xenakis Rebonds b : Preperation, Practise and Performance |
title_full |
Xenakis Rebonds b : Preperation, Practise and Performance |
title_fullStr |
Xenakis Rebonds b : Preperation, Practise and Performance |
title_full_unstemmed |
Xenakis Rebonds b : Preperation, Practise and Performance |
title_sort |
xenakis rebonds b : preperation, practise and performance |
publisher |
Kungl. Musikhögskolan, Institutionen för klassisk musik |
publishDate |
2018 |
url |
http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2694 |
work_keys_str_mv |
AT thorleikssonhelgi xenakisrebondsbpreperationpractiseandperformance |
_version_ |
1718639748404215808 |