Det brutna kontraktet : Om den missförstådda genren dokumentärroman och vad som sker när kontraktet mellan författare och läsare upphävs

Abstract   The topic of this essay is to show why I regard the non fiction novel as a problematic genre and to compare two popular and famous swedish non fiction novels; Legionärerna (1968) by Per Olov Enquist and Gömda (1995) by Maria Eriksson and Liza Marklund. I start with giving a short introduc...

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Bibliographic Details
Main Author: Möller, Valdemar
Format: Others
Language:Swedish
Published: Karlstads universitet, Estetisk-filosofiska fakulteten 2009
Subjects:
Online Access:http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-4495
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spelling ndltd-UPSALLA1-oai-DiVA.org-kau-44952013-01-08T13:20:13ZDet brutna kontraktet : Om den missförstådda genren dokumentärroman och vad som sker när kontraktet mellan författare och läsare upphävssweThe Broken Contract : About the misunderstood genre non fiction novel and what happens when the contract between the author and the reader is cancelledMöller, ValdemarKarlstads universitet, Estetisk-filosofiska fakulteten2009LitteraturvetenskapPer Olov EnquistLegionärernaLiza MarklundGömdaLiteratureLitteraturvetenskapAbstract   The topic of this essay is to show why I regard the non fiction novel as a problematic genre and to compare two popular and famous swedish non fiction novels; Legionärerna (1968) by Per Olov Enquist and Gömda (1995) by Maria Eriksson and Liza Marklund. I start with giving a short introduction to modern genre theory and to non fiction novels as a genre. I also discuss different definitions of non fiction novels by, for example, Rolf Yrlid and Lars-Olof Franzén. Then I discuss Enquist’s Legionärerna and the critics’ reception of it. I am also doing the same with Eriksson’s and Marklund’s Gömda before I compare these two novels with each other.   My conclusion is that Legionärerna and Gömda have a lot in common although there are some differences. One important difference is that the uncertainty between fact and fiction in Legionärerna seems to be an important part of the novel, in contrast to Gömda which has a political purpose but no discussion about objectivity and the limit between fact and fiction. The big problem with non fiction novels, as I see it, is that a lot of people regards the genre as fact but according to a number of scholars it is more convenient too see it as a mixture between fact and fiction where the author both interprets and manipulates the actual events. Though there are no established definition of what a non fiction novel is the author of a non fiction novel  has a responsibility to the reader to write in the beginning of the novel if the plot is true or not. We can compare this declaration by the author with a contract between the author and the reader which is cancelled if it turns out that the declaration is false. Student thesisinfo:eu-repo/semantics/bachelorThesistexthttp://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-4495application/pdfinfo:eu-repo/semantics/openAccess
collection NDLTD
language Swedish
format Others
sources NDLTD
topic Litteraturvetenskap
Per Olov Enquist
Legionärerna
Liza Marklund
Gömda
Literature
Litteraturvetenskap
spellingShingle Litteraturvetenskap
Per Olov Enquist
Legionärerna
Liza Marklund
Gömda
Literature
Litteraturvetenskap
Möller, Valdemar
Det brutna kontraktet : Om den missförstådda genren dokumentärroman och vad som sker när kontraktet mellan författare och läsare upphävs
description Abstract   The topic of this essay is to show why I regard the non fiction novel as a problematic genre and to compare two popular and famous swedish non fiction novels; Legionärerna (1968) by Per Olov Enquist and Gömda (1995) by Maria Eriksson and Liza Marklund. I start with giving a short introduction to modern genre theory and to non fiction novels as a genre. I also discuss different definitions of non fiction novels by, for example, Rolf Yrlid and Lars-Olof Franzén. Then I discuss Enquist’s Legionärerna and the critics’ reception of it. I am also doing the same with Eriksson’s and Marklund’s Gömda before I compare these two novels with each other.   My conclusion is that Legionärerna and Gömda have a lot in common although there are some differences. One important difference is that the uncertainty between fact and fiction in Legionärerna seems to be an important part of the novel, in contrast to Gömda which has a political purpose but no discussion about objectivity and the limit between fact and fiction. The big problem with non fiction novels, as I see it, is that a lot of people regards the genre as fact but according to a number of scholars it is more convenient too see it as a mixture between fact and fiction where the author both interprets and manipulates the actual events. Though there are no established definition of what a non fiction novel is the author of a non fiction novel  has a responsibility to the reader to write in the beginning of the novel if the plot is true or not. We can compare this declaration by the author with a contract between the author and the reader which is cancelled if it turns out that the declaration is false.
author Möller, Valdemar
author_facet Möller, Valdemar
author_sort Möller, Valdemar
title Det brutna kontraktet : Om den missförstådda genren dokumentärroman och vad som sker när kontraktet mellan författare och läsare upphävs
title_short Det brutna kontraktet : Om den missförstådda genren dokumentärroman och vad som sker när kontraktet mellan författare och läsare upphävs
title_full Det brutna kontraktet : Om den missförstådda genren dokumentärroman och vad som sker när kontraktet mellan författare och läsare upphävs
title_fullStr Det brutna kontraktet : Om den missförstådda genren dokumentärroman och vad som sker när kontraktet mellan författare och läsare upphävs
title_full_unstemmed Det brutna kontraktet : Om den missförstådda genren dokumentärroman och vad som sker när kontraktet mellan författare och läsare upphävs
title_sort det brutna kontraktet : om den missförstådda genren dokumentärroman och vad som sker när kontraktet mellan författare och läsare upphävs
publisher Karlstads universitet, Estetisk-filosofiska fakulteten
publishDate 2009
url http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-4495
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