Att gestalta främlingskap : En studie av hur alienationen gestaltas i Eugene Ionescos Enstöringen

• Main Author: danielsson, david
• Format: Others
• Language: Swedish
• Published: Karlstads universitet, Institutionen för språk, litteratur och interkultur 2015
• Subjects: Alienation; Marxism; Capitalism; Eugene Ionesco; Das unheimliche; Transcendence; Albert Camus; The hermit; The stranger; The absurd.
• Online Access: http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-35112

This essay is a study of the portrayal of the theme of alienation in Eugene Ionesco's novel The hermit. In my study I examine the different ways in which the theme of alienation is portrayed and how the cause of the narrator's experience of alienation can be found in ideological, psychological and existential conflicts that the narrator has to face. The result is an experience of das unheimliche, a Freudian concept, which is a kind of uncanny detachment that the narrator experiences, when he is put up against an invisible force that lurks in the perifery of the world, which is portrayed in the story. The meaning of the ideological conflict is a portrayal of man's situation in a world that is ruled by capitalism, with marxism as a positive leveler and the meaning of the psychological conflict is a conflict in the narrator's own inner reality. The meaning of the existential conflict is a portrayal of man's situation in a world absent of God. The novel by Ionesco points at these conflicts and also offers a solution to the limitations, that are caused by alienation by transcending them. In my study I focus on the function of language, biblical imagery, allegory and the theories that are being used to define the ideological (marxist theory) and existential (Albert Camus' theory of the absurd) conflicts. In my analysis I have also used Camus' The stranger in comparison with Ionesco's novel.