Recursive Properties of srdc Structures in Golden Age Musical Theater Songs
The srdc is a four-part phrase pattern in popular music consisting of four formal functions: statement (s), restatement (r), departure (d), and conclusion (c). In recent scholarship, the applicability and scope of the four-part pattern has been vigorously debated. The question of whether entire song...
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ndltd-UMASS-oai-scholarworks.umass.edu-masters_theses_2-15872021-09-08T17:27:33Z Recursive Properties of srdc Structures in Golden Age Musical Theater Songs Markel, Morgan The srdc is a four-part phrase pattern in popular music consisting of four formal functions: statement (s), restatement (r), departure (d), and conclusion (c). In recent scholarship, the applicability and scope of the four-part pattern has been vigorously debated. The question of whether entire song forms, such as the AABA and verse–prechorus–chorus song forms, can be interpreted as large-scale SRDC patterns has become a primary topic of interest among popular music scholars. In this thesis, I seek to further the argument for the large-scale SRDC reading of the AABA song form by demonstrating the recursive potential of srdc structures in Golden Age musical theater songs. To do so, I survey the characteristic properties of 8- and 16- bar srdc patterns and 32- and 64-bar AABA song forms as they were observed in a corpus study of 89 songs. By highlighting the similar ways in which the srdc’s formal functions are expressed at multiple levels of structure within the surveyed 32- and 64-bar AABA song forms, I demonstrate why these song forms can be interpreted as large-scale SRDC patterns. Chapter 1 introduces this thesis’s primary research question and surveys the relevant literature on the srdc and other related topics. Chapter 2 outlines the steps taken to assemble the corpus of 89 songs and assesses the srdc patterns and AABA song forms contained therein. Chapter 3 then discusses the results of the corpus study. Chapter 4 examines the structural correspondences between the surveyed srdc patterns and AABA song forms, using a model AABA song form that contains three nested srdc patterns. To conclude this thesis, Chapter 4 closes by discussing some avenues for future research. 2017-10-27T19:49:27Z text application/pdf https://scholarworks.umass.edu/masters_theses_2/561 https://scholarworks.umass.edu/cgi/viewcontent.cgi?article=1587&context=masters_theses_2 Masters Theses ScholarWorks@UMass Amherst Music Theory |
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Music Theory Markel, Morgan Recursive Properties of srdc Structures in Golden Age Musical Theater Songs |
description |
The srdc is a four-part phrase pattern in popular music consisting of four formal functions: statement (s), restatement (r), departure (d), and conclusion (c). In recent scholarship, the applicability and scope of the four-part pattern has been vigorously debated. The question of whether entire song forms, such as the AABA and verse–prechorus–chorus song forms, can be interpreted as large-scale SRDC patterns has become a primary topic of interest among popular music scholars. In this thesis, I seek to further the argument for the large-scale SRDC reading of the AABA song form by demonstrating the recursive potential of srdc structures in Golden Age musical theater songs. To do so, I survey the characteristic properties of 8- and 16- bar srdc patterns and 32- and 64-bar AABA song forms as they were observed in a corpus study of 89 songs. By highlighting the similar ways in which the srdc’s formal functions are expressed at multiple levels of structure within the surveyed 32- and 64-bar AABA song forms, I demonstrate why these song forms can be interpreted as large-scale SRDC patterns.
Chapter 1 introduces this thesis’s primary research question and surveys the relevant literature on the srdc and other related topics. Chapter 2 outlines the steps taken to assemble the corpus of 89 songs and assesses the srdc patterns and AABA song forms contained therein. Chapter 3 then discusses the results of the corpus study. Chapter 4 examines the structural correspondences between the surveyed srdc patterns and AABA song forms, using a model AABA song form that contains three nested srdc patterns. To conclude this thesis, Chapter 4 closes by discussing some avenues for future research. |
author |
Markel, Morgan |
author_facet |
Markel, Morgan |
author_sort |
Markel, Morgan |
title |
Recursive Properties of srdc Structures in Golden Age Musical Theater Songs |
title_short |
Recursive Properties of srdc Structures in Golden Age Musical Theater Songs |
title_full |
Recursive Properties of srdc Structures in Golden Age Musical Theater Songs |
title_fullStr |
Recursive Properties of srdc Structures in Golden Age Musical Theater Songs |
title_full_unstemmed |
Recursive Properties of srdc Structures in Golden Age Musical Theater Songs |
title_sort |
recursive properties of srdc structures in golden age musical theater songs |
publisher |
ScholarWorks@UMass Amherst |
publishDate |
2017 |
url |
https://scholarworks.umass.edu/masters_theses_2/561 https://scholarworks.umass.edu/cgi/viewcontent.cgi?article=1587&context=masters_theses_2 |
work_keys_str_mv |
AT markelmorgan recursivepropertiesofsrdcstructuresingoldenagemusicaltheatersongs |
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1719479088368844800 |