Venerable Style, Form, and the Avant-Garde in Mozart’s Minor Key Piano Sonatas K. 310 and K. 457: Topic and Structure
Although the topoi and elements of what has been described as the “Venerable Style” (V.S.) are found in many places in Mozart’s solo keyboard sonatas, the obsessive juxtaposition of these elements against brilliant, concerted, Empfindsamer Stil, and Sturm und Drang topoi can be shown to define the f...
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| Format: | Others |
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ScholarWorks@UMass Amherst
2014
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| Online Access: | https://scholarworks.umass.edu/masters_theses_2/35 https://scholarworks.umass.edu/cgi/viewcontent.cgi?article=1055&context=masters_theses_2 |