“We're the people”: Realism, mass culture, and popular front pluralism, 1935–1946
This dissertation is a multiethnic exploration of the ways in which contending realisms in the 1930s and 40s attempted to remake "America" within the terrain of popular culture. Unlike in the late 19th century, when American realism was largely intended as a competing mode of representatio...
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| Language: | ENG |
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ScholarWorks@UMass Amherst
2006
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| Online Access: | https://scholarworks.umass.edu/dissertations/AAI3216967 |