Generation multiplex: The image of youth in American cinema, 1981-1996

An examination of the representation of young characters (aged 12 to 20) in fictional feature films made in the United States between 1981 and 1996. The author argues that youth films constitute a legitimate genre of cinema study, and that five subgenres of the youth genre have been prominent during...

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Main Author: Shary, Timothy Matthew
Language:ENG
Published: ScholarWorks@UMass Amherst 1998
Subjects:
Online Access:https://scholarworks.umass.edu/dissertations/AAI9841922
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spelling ndltd-UMASS-oai-scholarworks.umass.edu-dissertations-16642020-12-02T14:34:37Z Generation multiplex: The image of youth in American cinema, 1981-1996 Shary, Timothy Matthew An examination of the representation of young characters (aged 12 to 20) in fictional feature films made in the United States between 1981 and 1996. The author argues that youth films constitute a legitimate genre of cinema study, and that five subgenres of the youth genre have been prominent during the 1980s and 1990s: school, delinquency, horror, science, and love/sex films. These subgenres, through their various codes and motifs, engender particular images of youth over time and under certain circumstances, yielding a complex structure of teenage identities and styles. The character types within each subgenre are analyzed, as are the release patterns of the films and their connections to contemporary cinematic and cultural trends, such as: the proliferation of multiplex theaters in shopping malls, the introduction of the PG-13 movie rating, the increasing production of straight-to-video films, and the political-economic emergence of Generation X. A further argument is that genre study cannot properly be conducted without a widely inclusive frame of textual examples, and or addressed. Each film is studied within its relevant subgeneric category, and its narrative depiction of young characters is detailed. By placing these films in their social and historical contexts, and foregrounding the film industry's attempts to appeal to young audiences with these films, the dissertation concludes that most youth films present a complicated image of young people: conflicted yet stoical, hedonistic yet sensitive, naive yet insightful. 1998-01-01T08:00:00Z text https://scholarworks.umass.edu/dissertations/AAI9841922 Doctoral Dissertations Available from Proquest ENG ScholarWorks@UMass Amherst Motion Pictures|Mass media|American studies
collection NDLTD
language ENG
sources NDLTD
topic Motion Pictures|Mass media|American studies
spellingShingle Motion Pictures|Mass media|American studies
Shary, Timothy Matthew
Generation multiplex: The image of youth in American cinema, 1981-1996
description An examination of the representation of young characters (aged 12 to 20) in fictional feature films made in the United States between 1981 and 1996. The author argues that youth films constitute a legitimate genre of cinema study, and that five subgenres of the youth genre have been prominent during the 1980s and 1990s: school, delinquency, horror, science, and love/sex films. These subgenres, through their various codes and motifs, engender particular images of youth over time and under certain circumstances, yielding a complex structure of teenage identities and styles. The character types within each subgenre are analyzed, as are the release patterns of the films and their connections to contemporary cinematic and cultural trends, such as: the proliferation of multiplex theaters in shopping malls, the introduction of the PG-13 movie rating, the increasing production of straight-to-video films, and the political-economic emergence of Generation X. A further argument is that genre study cannot properly be conducted without a widely inclusive frame of textual examples, and or addressed. Each film is studied within its relevant subgeneric category, and its narrative depiction of young characters is detailed. By placing these films in their social and historical contexts, and foregrounding the film industry's attempts to appeal to young audiences with these films, the dissertation concludes that most youth films present a complicated image of young people: conflicted yet stoical, hedonistic yet sensitive, naive yet insightful.
author Shary, Timothy Matthew
author_facet Shary, Timothy Matthew
author_sort Shary, Timothy Matthew
title Generation multiplex: The image of youth in American cinema, 1981-1996
title_short Generation multiplex: The image of youth in American cinema, 1981-1996
title_full Generation multiplex: The image of youth in American cinema, 1981-1996
title_fullStr Generation multiplex: The image of youth in American cinema, 1981-1996
title_full_unstemmed Generation multiplex: The image of youth in American cinema, 1981-1996
title_sort generation multiplex: the image of youth in american cinema, 1981-1996
publisher ScholarWorks@UMass Amherst
publishDate 1998
url https://scholarworks.umass.edu/dissertations/AAI9841922
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