Dissecting the erotic : art and sexuality in mid-Victorian medical anatomy

In the mid-nineteenth century, anatomical illustration in England underwent a crisis of representation. Moral authorities were growing increasingly concerned with the proliferation of images of the naked body and the effects they might have on public “decency.” The anatomical profession was sensit...

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Main Author: McInnis, Meredith
Format: Others
Language:English
Published: University of British Columbia 2008
Subjects:
Online Access:http://hdl.handle.net/2429/930
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spelling ndltd-UBC-oai-circle.library.ubc.ca-2429-9302018-01-05T17:22:48Z Dissecting the erotic : art and sexuality in mid-Victorian medical anatomy McInnis, Meredith Anatomy Sexuality Joseph Maclise England Eroticism In the mid-nineteenth century, anatomical illustration in England underwent a crisis of representation. Moral authorities were growing increasingly concerned with the proliferation of images of the naked body and the effects they might have on public “decency.” The anatomical profession was sensitive to this hostile climate to nude representations. In the years immediately preceding the Obscene Publications Act of 1857 that defined the category of “pornography,” anatomical illustration was being purged of sexual connotations as part of an attempt to consolidate medicine as a respectable “profession.” In the eyes of this new professional body, there was no space for sexual associations in anatomical texts. Artistic medical anatomy’s rejection was driven by its links to problematic erotic traditions. Specifically, anatomy’s proximity to pseudo-medical pornography, the same-sex eroticism of the Hellenic tradition, and the problem of the male and female nude in “high art” were at issue. In representing the naked body artistically, anatomists brought their illustrations into dangerous proximity with these traditions. By systematically putting the work of one Victorian anatomist, Joseph Maclise, into dialogue with these erotic traditions, it becomes clear that medicine was not isolated from the broader sexual culture. This study demonstrates that viewing publics and viewing practices are historically specific and are brought into being by the interaction of visual phenomena by emphasizing the fluidity between representational fields of art, medicine and sexuality. The effort to excise the sexual meanings contained in anatomy ultimately led to the emergence of a new diagrammatic style of anatomical drawing that became the orthodox style of medical illustration, and that persists to this day. Arts, Faculty of History, Department of Graduate 2008-06-20T13:28:16Z 2008-06-20T13:28:16Z 2008 2008-11 Text Thesis/Dissertation http://hdl.handle.net/2429/930 eng Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ 1019653 bytes application/pdf University of British Columbia
collection NDLTD
language English
format Others
sources NDLTD
topic Anatomy
Sexuality
Joseph Maclise
England
Eroticism
spellingShingle Anatomy
Sexuality
Joseph Maclise
England
Eroticism
McInnis, Meredith
Dissecting the erotic : art and sexuality in mid-Victorian medical anatomy
description In the mid-nineteenth century, anatomical illustration in England underwent a crisis of representation. Moral authorities were growing increasingly concerned with the proliferation of images of the naked body and the effects they might have on public “decency.” The anatomical profession was sensitive to this hostile climate to nude representations. In the years immediately preceding the Obscene Publications Act of 1857 that defined the category of “pornography,” anatomical illustration was being purged of sexual connotations as part of an attempt to consolidate medicine as a respectable “profession.” In the eyes of this new professional body, there was no space for sexual associations in anatomical texts. Artistic medical anatomy’s rejection was driven by its links to problematic erotic traditions. Specifically, anatomy’s proximity to pseudo-medical pornography, the same-sex eroticism of the Hellenic tradition, and the problem of the male and female nude in “high art” were at issue. In representing the naked body artistically, anatomists brought their illustrations into dangerous proximity with these traditions. By systematically putting the work of one Victorian anatomist, Joseph Maclise, into dialogue with these erotic traditions, it becomes clear that medicine was not isolated from the broader sexual culture. This study demonstrates that viewing publics and viewing practices are historically specific and are brought into being by the interaction of visual phenomena by emphasizing the fluidity between representational fields of art, medicine and sexuality. The effort to excise the sexual meanings contained in anatomy ultimately led to the emergence of a new diagrammatic style of anatomical drawing that became the orthodox style of medical illustration, and that persists to this day. === Arts, Faculty of === History, Department of === Graduate
author McInnis, Meredith
author_facet McInnis, Meredith
author_sort McInnis, Meredith
title Dissecting the erotic : art and sexuality in mid-Victorian medical anatomy
title_short Dissecting the erotic : art and sexuality in mid-Victorian medical anatomy
title_full Dissecting the erotic : art and sexuality in mid-Victorian medical anatomy
title_fullStr Dissecting the erotic : art and sexuality in mid-Victorian medical anatomy
title_full_unstemmed Dissecting the erotic : art and sexuality in mid-Victorian medical anatomy
title_sort dissecting the erotic : art and sexuality in mid-victorian medical anatomy
publisher University of British Columbia
publishDate 2008
url http://hdl.handle.net/2429/930
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