Modernity, maternity and nation: the writings of Clorinda Matto de Turner
This thesis explores the meaning of Clorinda Matto de Turner's writing in the context of late nineteenth-century concepts surrounding femininity, domesticity, citizenship and the emerging modern state in Peru. Utilizing theoretical modes suggested by Benedict Anderson, Hommi Bhabha, Doris S...
Main Author: | |
---|---|
Format: | Others |
Language: | English |
Published: |
2009
|
Online Access: | http://hdl.handle.net/2429/8934 |
id |
ndltd-UBC-oai-circle.library.ubc.ca-2429-8934 |
---|---|
record_format |
oai_dc |
spelling |
ndltd-UBC-oai-circle.library.ubc.ca-2429-89342018-01-05T17:34:29Z Modernity, maternity and nation: the writings of Clorinda Matto de Turner Fraser, Jennifer Suzanne This thesis explores the meaning of Clorinda Matto de Turner's writing in the context of late nineteenth-century concepts surrounding femininity, domesticity, citizenship and the emerging modern state in Peru. Utilizing theoretical modes suggested by Benedict Anderson, Hommi Bhabha, Doris Sommer, and others, it is argued that Matto de Turner's fictional works should be read as national allegories outlining the appropriate roles for women within the Peruvian state. Complex contradictions in Matto de Turner's life and work are also considered, and the challenges faced by women writing in the nineteenth century are explored. Chapter one provides an overview of Matto de Turner's life, and focuses attention on her connections to the intellectual and governing elite of Peru. Her views on women, the church, and the state are examined, as are her professional accomplishments and personal life choices. Chapter two provides both the historical and literary background needed to contextualize Matto de Turner and her work within the larger debate concerning women and their ability to write. The tensions set up by conflicting social and gender expectations are touched upon, and related to the production of Matto de Turner's fiction. Chapters three and four engage in a discussion of the novels Aves sin nido, and Herencia, and address the constructions of femininity and citizenship presented in them by Matto de Turner. Emphasis is given to the role of domesticity and the depiction of women as 'angels of the house.' This thesis concludes with a call for Matto de Turner's work to be reconsidered, and recognized for its contributions to the discourse of modernization and to the nation-building project of nineteenth-century Peruvian intellectuals. Arts, Faculty of French, Hispanic, and Italian Studies, Department of Graduate 2009-06-11T17:18:02Z 2009-06-11T17:18:02Z 1998 1999-05 Text Thesis/Dissertation http://hdl.handle.net/2429/8934 eng For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use. 7268714 bytes application/pdf |
collection |
NDLTD |
language |
English |
format |
Others
|
sources |
NDLTD |
description |
This thesis explores the meaning of Clorinda Matto de Turner's writing in
the context of late nineteenth-century concepts surrounding femininity,
domesticity, citizenship and the emerging modern state in Peru. Utilizing
theoretical modes suggested by Benedict Anderson, Hommi Bhabha, Doris
Sommer, and others, it is argued that Matto de Turner's fictional works
should be read as national allegories outlining the appropriate roles for
women within the Peruvian state. Complex contradictions in Matto de
Turner's life and work are also considered, and the challenges faced by
women writing in the nineteenth century are explored.
Chapter one provides an overview of Matto de Turner's life, and focuses
attention on her connections to the intellectual and governing elite of
Peru. Her views on women, the church, and the state are examined, as are
her professional accomplishments and personal life choices.
Chapter two provides both the historical and literary background needed
to contextualize Matto de Turner and her work within the larger debate
concerning women and their ability to write. The tensions set up by
conflicting social and gender expectations are touched upon, and related
to the production of Matto de Turner's fiction.
Chapters three and four engage in a discussion of the novels Aves sin nido,
and Herencia, and address the constructions of femininity and citizenship
presented in them by Matto de Turner. Emphasis is given to the role of
domesticity and the depiction of women as 'angels of the house.'
This thesis concludes with a call for Matto de Turner's work to be
reconsidered, and recognized for its contributions to the discourse of
modernization and to the nation-building project of nineteenth-century
Peruvian intellectuals. === Arts, Faculty of === French, Hispanic, and Italian Studies, Department of === Graduate |
author |
Fraser, Jennifer Suzanne |
spellingShingle |
Fraser, Jennifer Suzanne Modernity, maternity and nation: the writings of Clorinda Matto de Turner |
author_facet |
Fraser, Jennifer Suzanne |
author_sort |
Fraser, Jennifer Suzanne |
title |
Modernity, maternity and nation: the writings of Clorinda Matto de Turner |
title_short |
Modernity, maternity and nation: the writings of Clorinda Matto de Turner |
title_full |
Modernity, maternity and nation: the writings of Clorinda Matto de Turner |
title_fullStr |
Modernity, maternity and nation: the writings of Clorinda Matto de Turner |
title_full_unstemmed |
Modernity, maternity and nation: the writings of Clorinda Matto de Turner |
title_sort |
modernity, maternity and nation: the writings of clorinda matto de turner |
publishDate |
2009 |
url |
http://hdl.handle.net/2429/8934 |
work_keys_str_mv |
AT fraserjennifersuzanne modernitymaternityandnationthewritingsofclorindamattodeturner |
_version_ |
1718588123013709824 |