A portrait of the artist as a Post-Hermeneutic, Neo-Kantian, transubstantiation of the de-authorized postmodern author or how I learned to stop worrying and love the jargon
This thesis is an interpretation and defense of Immanuel Kant's Critique of Judgment. Several commentators see in Kant's theory of beauty grave philosophical problems that cannot be rectified; consequently, they declare his entire work to be unsalvageable. I disagree with them. Through...
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| Format: | Others |
| Language: | English |
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2009
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| Online Access: | http://hdl.handle.net/2429/8000 |