"The blood of martyrs is the seed of Christians": Jesuit representation of seventeenth-century New France

Highly ornamented with multiple images, the seventeenth-century map of New France, Novae Franciae Accurata Delineatio, 1657 is unusual in juxtaposing multiple vocabularies. This thesis seeks to locate the map of within concurrent discourses of conversion and colonisation as well as diverse cartog...

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Main Author: Dragonas, Stephanie
Format: Others
Language:English
Published: 2009
Online Access:http://hdl.handle.net/2429/7845
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spelling ndltd-UBC-oai-circle.library.ubc.ca-2429-78452018-01-05T17:33:54Z "The blood of martyrs is the seed of Christians": Jesuit representation of seventeenth-century New France Dragonas, Stephanie Highly ornamented with multiple images, the seventeenth-century map of New France, Novae Franciae Accurata Delineatio, 1657 is unusual in juxtaposing multiple vocabularies. This thesis seeks to locate the map of within concurrent discourses of conversion and colonisation as well as diverse cartographic and religious visual vocabularies. Announced in the 1653 account of the of the Jesuit missions among the Huron Indians, Breve Relatione d'Alcune Missioni de 'PP. Delia Compagnia di Giesu netta Nuova Francia by Italian Jesuit Francesco Bressani, this map attempts to accomplish a task unusual in cartographic discourse; it is expected to visualise a history. In contrast to early modern cartography that tends to stabilise time and place, this map seeks to represent multiple time and multiple space in order to construct a history. The narrative of the Jesuit missionary efforts among the Hurons is conveyed by map through the juxtaposition of multiple visual vocabularies. Ships and sea-monsters inhabit the gulf of St. Lawrence; scenes of native life are scattered across the mapped landscape. These visual vocabularies, the ethnographic, cartographic and religious are all drawn from other printed forms to be placed side by side on the map. Bringing with them their own assumptions and organising principles their juxtaposition opens up the possibility of contestation within the representation. An image of barbarism, sacrifice and redemption, this map also points to the struggles for power involved in the maintenance of the territory of New France. An important site of analysis is the Jesuit Relations, yearly printed accounts which provide a means of interpreting relations produced through the representation of the 'New World' to the Old. Guided by the many Jesuit texts and images that were produced in relation to New France in the seventeenth century in this thesis I propose to trace out some of the possible meanings produced by this map. Arts, Faculty of Art History, Visual Art and Theory, Department of Graduate 2009-05-04T22:30:36Z 2009-05-04T22:30:36Z 1998 1998-05 Text Thesis/Dissertation http://hdl.handle.net/2429/7845 eng For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use. 15617726 bytes application/pdf
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description Highly ornamented with multiple images, the seventeenth-century map of New France, Novae Franciae Accurata Delineatio, 1657 is unusual in juxtaposing multiple vocabularies. This thesis seeks to locate the map of within concurrent discourses of conversion and colonisation as well as diverse cartographic and religious visual vocabularies. Announced in the 1653 account of the of the Jesuit missions among the Huron Indians, Breve Relatione d'Alcune Missioni de 'PP. Delia Compagnia di Giesu netta Nuova Francia by Italian Jesuit Francesco Bressani, this map attempts to accomplish a task unusual in cartographic discourse; it is expected to visualise a history. In contrast to early modern cartography that tends to stabilise time and place, this map seeks to represent multiple time and multiple space in order to construct a history. The narrative of the Jesuit missionary efforts among the Hurons is conveyed by map through the juxtaposition of multiple visual vocabularies. Ships and sea-monsters inhabit the gulf of St. Lawrence; scenes of native life are scattered across the mapped landscape. These visual vocabularies, the ethnographic, cartographic and religious are all drawn from other printed forms to be placed side by side on the map. Bringing with them their own assumptions and organising principles their juxtaposition opens up the possibility of contestation within the representation. An image of barbarism, sacrifice and redemption, this map also points to the struggles for power involved in the maintenance of the territory of New France. An important site of analysis is the Jesuit Relations, yearly printed accounts which provide a means of interpreting relations produced through the representation of the 'New World' to the Old. Guided by the many Jesuit texts and images that were produced in relation to New France in the seventeenth century in this thesis I propose to trace out some of the possible meanings produced by this map. === Arts, Faculty of === Art History, Visual Art and Theory, Department of === Graduate
author Dragonas, Stephanie
spellingShingle Dragonas, Stephanie
"The blood of martyrs is the seed of Christians": Jesuit representation of seventeenth-century New France
author_facet Dragonas, Stephanie
author_sort Dragonas, Stephanie
title "The blood of martyrs is the seed of Christians": Jesuit representation of seventeenth-century New France
title_short "The blood of martyrs is the seed of Christians": Jesuit representation of seventeenth-century New France
title_full "The blood of martyrs is the seed of Christians": Jesuit representation of seventeenth-century New France
title_fullStr "The blood of martyrs is the seed of Christians": Jesuit representation of seventeenth-century New France
title_full_unstemmed "The blood of martyrs is the seed of Christians": Jesuit representation of seventeenth-century New France
title_sort "the blood of martyrs is the seed of christians": jesuit representation of seventeenth-century new france
publishDate 2009
url http://hdl.handle.net/2429/7845
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