Decolonizing reconciliation : refusing settler innocence through sound
My thesis examines the possibility for decolonization in the aftermath of Canada's Truth and Reconciliation Commission (TRC) and proposes settler-shame as both generative and necessary to decolonizing and disrupting the patterns of ongoing colonial violence against Indigenous bodies. I specific...
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2016
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ndltd-UBC-oai-circle.library.ubc.ca-2429-574792018-01-05T17:28:52Z Decolonizing reconciliation : refusing settler innocence through sound Fratila, Stefana My thesis examines the possibility for decolonization in the aftermath of Canada's Truth and Reconciliation Commission (TRC) and proposes settler-shame as both generative and necessary to decolonizing and disrupting the patterns of ongoing colonial violence against Indigenous bodies. I specifically focus on how sound and performance can be used to critically engage and educate on both historical and ongoing colonial violence prevalent in settler-colonial society. I elaborate on how my own performances are an embodied form of settler-shame and put forward a sound technique I’ve called time-stretched witnessing. I draw on encounters within my own practice as an electronic artist/producer as a means of addressing the degree to which it might be possible to create space for meaningful knowledge sharing, memorialization, social transformation, and decolonization. To decolonize is to work towards a reconciliation that refuses ‘reconciliation’ as we have known it thus far, one that refuses settler innocence and encourages settler-shame, and centres Indigenous leadership, the return of land and an end to gender-based violence. Supplementary material : [http://hdl.handle.net/2429/57409] Arts, Faculty of Political Science, Department of Graduate 2016-04-06T14:39:38Z 2016-04-07T02:02:21 2016 2016-05 Text Thesis/Dissertation http://hdl.handle.net/2429/57479 eng Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ University of British Columbia |
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My thesis examines the possibility for decolonization in the aftermath of Canada's Truth and Reconciliation Commission (TRC) and proposes settler-shame as both generative and necessary to decolonizing and disrupting the patterns of ongoing colonial violence against Indigenous bodies. I specifically focus on how sound and performance can be used to critically engage and educate on both historical and ongoing colonial violence prevalent in settler-colonial society. I elaborate on how my own performances are an embodied form of settler-shame and put forward a sound technique I’ve called time-stretched witnessing. I draw on encounters within my own practice as an electronic artist/producer as a means of addressing the degree to which it might be possible to create space for meaningful knowledge sharing, memorialization, social transformation, and decolonization. To decolonize is to work towards a reconciliation that refuses ‘reconciliation’ as we have known it thus far, one that refuses settler innocence and encourages settler-shame, and centres Indigenous leadership, the return of land and an end to gender-based violence. Supplementary material : [http://hdl.handle.net/2429/57409] === Arts, Faculty of === Political Science, Department of === Graduate |
author |
Fratila, Stefana |
spellingShingle |
Fratila, Stefana Decolonizing reconciliation : refusing settler innocence through sound |
author_facet |
Fratila, Stefana |
author_sort |
Fratila, Stefana |
title |
Decolonizing reconciliation : refusing settler innocence through sound |
title_short |
Decolonizing reconciliation : refusing settler innocence through sound |
title_full |
Decolonizing reconciliation : refusing settler innocence through sound |
title_fullStr |
Decolonizing reconciliation : refusing settler innocence through sound |
title_full_unstemmed |
Decolonizing reconciliation : refusing settler innocence through sound |
title_sort |
decolonizing reconciliation : refusing settler innocence through sound |
publisher |
University of British Columbia |
publishDate |
2016 |
url |
http://hdl.handle.net/2429/57479 |
work_keys_str_mv |
AT fratilastefana decolonizingreconciliationrefusingsettlerinnocencethroughsound |
_version_ |
1718585141525217280 |