"The @UFC and third wave feminism? Who woulda thought? : gender, fighters, and framing on Twitter

Most professional sports, such as hockey, tennis, and basketball, separate men’s and women’s sports leagues. In 2013, the Ultimate Fighting Championship (UFC) disrupted this pattern by showcasing its first women’s mixed martial arts (MMA) fight in a once male-only fight league. While the UFC’s inclu...

Full description

Bibliographic Details
Main Author: Quinney, Allyson
Language:English
Published: University of British Columbia 2015
Online Access:http://hdl.handle.net/2429/55149
id ndltd-UBC-oai-circle.library.ubc.ca-2429-55149
record_format oai_dc
spelling ndltd-UBC-oai-circle.library.ubc.ca-2429-551492018-01-05T17:28:38Z "The @UFC and third wave feminism? Who woulda thought? : gender, fighters, and framing on Twitter Quinney, Allyson Most professional sports, such as hockey, tennis, and basketball, separate men’s and women’s sports leagues. In 2013, the Ultimate Fighting Championship (UFC) disrupted this pattern by showcasing its first women’s mixed martial arts (MMA) fight in a once male-only fight league. While the UFC’s inclusion of female fighters is a step forward for gender equality, the change does not come without issues. This essay focuses on the framing of female UFC fighters on Twitter over a four year period. Through an intersectional feminist analysis, it examines how Twitter users frame female fighters’ bodies in relation to gender, race, class, and sexuality. It argues that there is an imbalance in attention paid to female fighters in regards to gender, race, class, and sexuality, and this constructs contradictory messaging about feminism, female fighters’ bodies, and the UFC on Twitter. Arts, Faculty of Journalism, School of Graduate 2015-10-26T15:04:51Z 2015-11-05T03:34:16 2015 2015-11 Text Thesis/Dissertation http://hdl.handle.net/2429/55149 eng Attribution-NonCommercial-NoDerivs 2.5 Canada http://creativecommons.org/licenses/by-nc-nd/2.5/ca/ University of British Columbia
collection NDLTD
language English
sources NDLTD
description Most professional sports, such as hockey, tennis, and basketball, separate men’s and women’s sports leagues. In 2013, the Ultimate Fighting Championship (UFC) disrupted this pattern by showcasing its first women’s mixed martial arts (MMA) fight in a once male-only fight league. While the UFC’s inclusion of female fighters is a step forward for gender equality, the change does not come without issues. This essay focuses on the framing of female UFC fighters on Twitter over a four year period. Through an intersectional feminist analysis, it examines how Twitter users frame female fighters’ bodies in relation to gender, race, class, and sexuality. It argues that there is an imbalance in attention paid to female fighters in regards to gender, race, class, and sexuality, and this constructs contradictory messaging about feminism, female fighters’ bodies, and the UFC on Twitter. === Arts, Faculty of === Journalism, School of === Graduate
author Quinney, Allyson
spellingShingle Quinney, Allyson
"The @UFC and third wave feminism? Who woulda thought? : gender, fighters, and framing on Twitter
author_facet Quinney, Allyson
author_sort Quinney, Allyson
title "The @UFC and third wave feminism? Who woulda thought? : gender, fighters, and framing on Twitter
title_short "The @UFC and third wave feminism? Who woulda thought? : gender, fighters, and framing on Twitter
title_full "The @UFC and third wave feminism? Who woulda thought? : gender, fighters, and framing on Twitter
title_fullStr "The @UFC and third wave feminism? Who woulda thought? : gender, fighters, and framing on Twitter
title_full_unstemmed "The @UFC and third wave feminism? Who woulda thought? : gender, fighters, and framing on Twitter
title_sort "the @ufc and third wave feminism? who woulda thought? : gender, fighters, and framing on twitter
publisher University of British Columbia
publishDate 2015
url http://hdl.handle.net/2429/55149
work_keys_str_mv AT quinneyallyson theufcandthirdwavefeminismwhowouldathoughtgenderfightersandframingontwitter
_version_ 1718584998430244864