The immodest eye : liminality and the gaze in Joseph Strick’s The balcony
In this thesis, I discuss Joseph Strick’s 1 963 film adaptation of Jean Genet’s Le balcon. Like the play, The Balcony emphasizes illusion, masquerade, pretence, mirrors; my thesis echoes Genet’s language as it constructs a framework out of the extended metaphor of the mirror. Chapter one charts...
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| Format: | Others |
| Language: | English |
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2009
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| Online Access: | http://hdl.handle.net/2429/5190 |