Reading Widdershins: a study of romance and A.S. Byatt’s Possession: a romance
In this study I consider A. S. Byatt’s Possession: a Romance as both an example of and a commentary on its genre. In the first chapter, I explore some reviews of Byatt’s romance, with an emphasis on critical approaches to the book’s genre, and introduce the critical material, including studies of...
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ndltd-UBC-oai-circle.library.ubc.ca-2429-49892018-01-05T17:32:19Z Reading Widdershins: a study of romance and A.S. Byatt’s Possession: a romance Kirkness, Catherine Jane In this study I consider A. S. Byatt’s Possession: a Romance as both an example of and a commentary on its genre. In the first chapter, I explore some reviews of Byatt’s romance, with an emphasis on critical approaches to the book’s genre, and introduce the critical material, including studies of fairy tales, which informs my discussion of romance. In Chapter 2, I analyse the assertion that “Romance is a proper form for women” (Possession 404) and suggest that the form of romance may promote new kinds of social organization by liberating the imagination of writers and readers alike. I build on the theme of romance as a subversive genre in Chapter 3 with a discussion of animal transformation and a comparison of Byatt’ s version of “The Glass Coffm” with Grimm’s more traditional version of the same tale. Chapter 4 includes a discussion of different styles of reading; I concentrate on the relationship between curiosity and faith in Possession in order to suggest some of the implications of this relationship for readers and critics of romance. Arts, Faculty of English, Department of Graduate 2009-02-24 2009-02-24 1994 1994-05 Text Thesis/Dissertation http://hdl.handle.net/2429/4989 eng For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use. 1582753 bytes application/pdf |
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Others
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In this study I consider A. S. Byatt’s Possession: a Romance as both an example of
and a commentary on its genre. In the first chapter, I explore some reviews of Byatt’s
romance, with an emphasis on critical approaches to the book’s genre, and introduce the critical
material, including studies of fairy tales, which informs my discussion of romance. In Chapter
2, I analyse the assertion that “Romance is a proper form for women” (Possession 404) and
suggest that the form of romance may promote new kinds of social organization by liberating
the imagination of writers and readers alike. I build on the theme of romance as a subversive
genre in Chapter 3 with a discussion of animal transformation and a comparison of Byatt’ s
version of “The Glass Coffm” with Grimm’s more traditional version of the same tale. Chapter
4 includes a discussion of different styles of reading; I concentrate on the relationship between
curiosity and faith in Possession in order to suggest some of the implications of this
relationship for readers and critics of romance. === Arts, Faculty of === English, Department of === Graduate |
author |
Kirkness, Catherine Jane |
spellingShingle |
Kirkness, Catherine Jane Reading Widdershins: a study of romance and A.S. Byatt’s Possession: a romance |
author_facet |
Kirkness, Catherine Jane |
author_sort |
Kirkness, Catherine Jane |
title |
Reading Widdershins: a study of romance and A.S. Byatt’s Possession: a romance |
title_short |
Reading Widdershins: a study of romance and A.S. Byatt’s Possession: a romance |
title_full |
Reading Widdershins: a study of romance and A.S. Byatt’s Possession: a romance |
title_fullStr |
Reading Widdershins: a study of romance and A.S. Byatt’s Possession: a romance |
title_full_unstemmed |
Reading Widdershins: a study of romance and A.S. Byatt’s Possession: a romance |
title_sort |
reading widdershins: a study of romance and a.s. byatt’s possession: a romance |
publishDate |
2009 |
url |
http://hdl.handle.net/2429/4989 |
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AT kirknesscatherinejane readingwiddershinsastudyofromanceandasbyattspossessionaromance |
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