The role of drama in the study of literature
This qualitative research study examines the differing ways that students and teacher in a Jewish secondary school negotiate, reconstruct, and find personal relevancy in their learning about literature through drama. The sequence of lessons used by the author consists of nine steps designed to in...
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ndltd-UBC-oai-circle.library.ubc.ca-2429-44072018-01-05T17:31:59Z The role of drama in the study of literature Morrison, Evlyn Ruth This qualitative research study examines the differing ways that students and teacher in a Jewish secondary school negotiate, reconstruct, and find personal relevancy in their learning about literature through drama. The sequence of lessons used by the author consists of nine steps designed to integrate dramatic experiences with language and literature activities for the purpose of depicting thematic ideas, isolating sub-text, and illustrating various aspects of a Shakespearean text. As percipient, which means to be observer and participant, the author participated in the drama activities and also observed how she and the students were reacting to the dramatic activities. The dramatic sequence was implemented in an English eight class over a period of six weeks from May to June of the school year in 1992. Student subjects and selection of grade was based on drama material that had been previously prepared to meet the content recommendations suggested by the B.C. Ministry of Education. A variety of data collection techniques were employed to identify the literacy behaviours and written responses extending from the drama. These techniques included five sources of data. They were (1) students' homework assignments, (2) exam question responses, (3) video tapes of all classes, (4) audio tapes of the classes, and (5) taped interviews with three students. Written responses to the drama activities included both personal reflections and critical thinking compositions. The author finally reflects on the potential for learning about literature through drama to develop specific cognitive processes that result in a restructured knowledge base. She then presents her own personal and pedagogical observations which account for the discrepancies that occur between students' oral responses and their written responses, and concludes that written expression was a crucial step in the students' process of meaning making. Education, Faculty of Language and Literacy Education (LLED), Department of Graduate 2009-02-10T22:01:16Z 2009-02-10T22:01:16Z 1996 1996-05 Text Thesis/Dissertation http://hdl.handle.net/2429/4407 eng For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use. 4009791 bytes application/pdf |
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NDLTD |
language |
English |
format |
Others
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description |
This qualitative research study examines the differing ways that students and
teacher in a Jewish secondary school negotiate, reconstruct, and find personal
relevancy in their learning about literature through drama. The sequence of lessons
used by the author consists of nine steps designed to integrate dramatic experiences
with language and literature activities for the purpose of depicting thematic ideas,
isolating sub-text, and illustrating various aspects of a Shakespearean text. As
percipient, which means to be observer and participant, the author participated in the
drama activities and also observed how she and the students were reacting to the
dramatic activities.
The dramatic sequence was implemented in an English eight class over a period
of six weeks from May to June of the school year in 1992.
Student subjects and selection of grade was based on drama material that had
been previously prepared to meet the content recommendations suggested by the B.C.
Ministry of Education. A variety of data collection techniques were employed to
identify the literacy behaviours and written responses extending from the drama. These
techniques included five sources of data. They were (1) students' homework
assignments, (2) exam question responses, (3) video tapes of all classes, (4) audio tapes
of the classes, and (5) taped interviews with three students. Written responses to the
drama activities included both personal reflections and critical thinking compositions. The author finally reflects on the potential for learning about literature through
drama to develop specific cognitive processes that result in a restructured knowledge
base. She then presents her own personal and pedagogical observations which account
for the discrepancies that occur between students' oral responses and their written
responses, and concludes that written expression was a crucial step in the students'
process of meaning making. === Education, Faculty of === Language and Literacy Education (LLED), Department of === Graduate |
author |
Morrison, Evlyn Ruth |
spellingShingle |
Morrison, Evlyn Ruth The role of drama in the study of literature |
author_facet |
Morrison, Evlyn Ruth |
author_sort |
Morrison, Evlyn Ruth |
title |
The role of drama in the study of literature |
title_short |
The role of drama in the study of literature |
title_full |
The role of drama in the study of literature |
title_fullStr |
The role of drama in the study of literature |
title_full_unstemmed |
The role of drama in the study of literature |
title_sort |
role of drama in the study of literature |
publishDate |
2009 |
url |
http://hdl.handle.net/2429/4407 |
work_keys_str_mv |
AT morrisonevlynruth theroleofdramainthestudyofliterature AT morrisonevlynruth roleofdramainthestudyofliterature |
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