The Misanthrope : 2012 via 1981

The Misanthrope, a play written by French author Molière in 1666, remains relevant to modern audiences, as evidenced by recent high profile productions at the Stratford Festival, and on prestigious stages in New York, London, and Toronto. This paper examines different productions and translations,...

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Main Author: Lucas, Richard
Language:English
Published: University of British Columbia 2012
Online Access:http://hdl.handle.net/2429/43417
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spelling ndltd-UBC-oai-circle.library.ubc.ca-2429-434172018-01-05T17:26:09Z The Misanthrope : 2012 via 1981 Lucas, Richard The Misanthrope, a play written by French author Molière in 1666, remains relevant to modern audiences, as evidenced by recent high profile productions at the Stratford Festival, and on prestigious stages in New York, London, and Toronto. This paper examines different productions and translations, analyzes the play itself, and concludes with a proposal for a presentation of The Misanthrope that, I believe, will best connect with a Canadian audience in 2012. Chapter 1 is an examination of the play, its historical context, and its different translations. In Chapter 2, I analyse the characters and the themes of the play. Chapter 3 is a report on my 1981 presentation of The Misanthrope at the Dorothy Somerset Theatre at UBC. In Chapter 4, I provide an in-depth exploration and directorial analysis of how I would produce a staging of The Misanthrope in 2012. Arts, Faculty of Theatre and Film, Department of Graduate 2012-10-16T19:58:21Z 2012-10-16T19:58:21Z 2012 2012-11 Text Thesis/Dissertation http://hdl.handle.net/2429/43417 eng Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ University of British Columbia
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language English
sources NDLTD
description The Misanthrope, a play written by French author Molière in 1666, remains relevant to modern audiences, as evidenced by recent high profile productions at the Stratford Festival, and on prestigious stages in New York, London, and Toronto. This paper examines different productions and translations, analyzes the play itself, and concludes with a proposal for a presentation of The Misanthrope that, I believe, will best connect with a Canadian audience in 2012. Chapter 1 is an examination of the play, its historical context, and its different translations. In Chapter 2, I analyse the characters and the themes of the play. Chapter 3 is a report on my 1981 presentation of The Misanthrope at the Dorothy Somerset Theatre at UBC. In Chapter 4, I provide an in-depth exploration and directorial analysis of how I would produce a staging of The Misanthrope in 2012. === Arts, Faculty of === Theatre and Film, Department of === Graduate
author Lucas, Richard
spellingShingle Lucas, Richard
The Misanthrope : 2012 via 1981
author_facet Lucas, Richard
author_sort Lucas, Richard
title The Misanthrope : 2012 via 1981
title_short The Misanthrope : 2012 via 1981
title_full The Misanthrope : 2012 via 1981
title_fullStr The Misanthrope : 2012 via 1981
title_full_unstemmed The Misanthrope : 2012 via 1981
title_sort misanthrope : 2012 via 1981
publisher University of British Columbia
publishDate 2012
url http://hdl.handle.net/2429/43417
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