Reconstructing Disrupted Lives : the Canadian exhibition of children's art from refugee camps
During the 1980s International Observers from Canadian churches and development organizations went to Central American refugees living in Honduras and México who fled from conflict zones in El Salvador and Guatemala, respectively. While there the observers commissioned and collected drawings by chil...
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ndltd-UBC-oai-circle.library.ubc.ca-2429-422112018-01-05T17:25:41Z Reconstructing Disrupted Lives : the Canadian exhibition of children's art from refugee camps Mantooth, Meredith Diane During the 1980s International Observers from Canadian churches and development organizations went to Central American refugees living in Honduras and México who fled from conflict zones in El Salvador and Guatemala, respectively. While there the observers commissioned and collected drawings by children living in the refugee camps. Shortly after this, the drawings were exhibited across Canada from 1986-1987 as part of the exhibition Disrupted Lives: Children’s Drawings from Central America. In this paper I argue that the exhibition of children’s drawings gave voice to a silenced aspect of Latin American history – the experiences of children living abroad in refugee camps displaced by the violence and civil wars in their home nations Guatemala and El Salvador. The “unsilencing” (Michel-Rolph Trouillot; 1995) of their histories also positions the drawings as illustrated examples of testimonio as defined by John Beverley (2004). Arts, Faculty of Anthropology, Department of Graduate 2012-04-23T19:05:58Z 2012-04-23T19:05:58Z 2012 2012-05 Text Thesis/Dissertation http://hdl.handle.net/2429/42211 eng Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ University of British Columbia |
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NDLTD |
language |
English |
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description |
During the 1980s International Observers from Canadian churches and development organizations went to Central American refugees living in Honduras and México who fled from conflict zones in El Salvador and Guatemala, respectively. While there the observers commissioned and collected drawings by children living in the refugee camps. Shortly after this, the drawings were exhibited across Canada from 1986-1987 as part of the exhibition Disrupted Lives: Children’s Drawings from Central America. In this paper I argue that the exhibition of children’s drawings gave voice to a silenced aspect of Latin American history – the experiences of children living abroad in refugee camps displaced by the violence and civil wars in their home nations Guatemala and El Salvador. The “unsilencing” (Michel-Rolph Trouillot; 1995) of their histories also positions the drawings as illustrated examples of testimonio as defined by John Beverley (2004). === Arts, Faculty of === Anthropology, Department of === Graduate |
author |
Mantooth, Meredith Diane |
spellingShingle |
Mantooth, Meredith Diane Reconstructing Disrupted Lives : the Canadian exhibition of children's art from refugee camps |
author_facet |
Mantooth, Meredith Diane |
author_sort |
Mantooth, Meredith Diane |
title |
Reconstructing Disrupted Lives : the Canadian exhibition of children's art from refugee camps |
title_short |
Reconstructing Disrupted Lives : the Canadian exhibition of children's art from refugee camps |
title_full |
Reconstructing Disrupted Lives : the Canadian exhibition of children's art from refugee camps |
title_fullStr |
Reconstructing Disrupted Lives : the Canadian exhibition of children's art from refugee camps |
title_full_unstemmed |
Reconstructing Disrupted Lives : the Canadian exhibition of children's art from refugee camps |
title_sort |
reconstructing disrupted lives : the canadian exhibition of children's art from refugee camps |
publisher |
University of British Columbia |
publishDate |
2012 |
url |
http://hdl.handle.net/2429/42211 |
work_keys_str_mv |
AT mantoothmeredithdiane reconstructingdisruptedlivesthecanadianexhibitionofchildrensartfromrefugeecamps |
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1718583315707985920 |