"I am not the fine man you take me for" : the postmortem western from Unforgiven to No Country for Old Men
The Postmortem Western is so named because, after having been buried for 15 years, the genre reappears with a pronounced self-awareness of its atrophied conventions and ideologies. As Jim Kitses and Alexandra Keller observe, today’s Western is almost entirely revisionist. Chapter One delineates tw...
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| Language: | English |
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University of British Columbia
2010
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| Online Access: | http://hdl.handle.net/2429/23480 |
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