Structures of and values inherent in senior secondary student asessment in studio art in Britain and North America

Visible models of assessment of senior secondary studio art in Britain and North America are analysed and compared. In Britain, The General Certificate in Secondary Education (GCSE), specifically, the London East Anglian Examining Board (LEAG) assessment model is examined, and in North America, Adva...

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Main Author: Blaikie, Fiona
Format: Others
Language:English
Published: 2008
Subjects:
Online Access:http://hdl.handle.net/2429/2248
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spelling ndltd-UBC-oai-circle.library.ubc.ca-2429-22482018-01-05T17:30:47Z Structures of and values inherent in senior secondary student asessment in studio art in Britain and North America Blaikie, Fiona Art - Study and teaching (Secondary) - Great Britain. Art - Study and teaching (Secondary) - North America. Visible models of assessment of senior secondary studio art in Britain and North America are analysed and compared. In Britain, The General Certificate in Secondary Education (GCSE), specifically, the London East Anglian Examining Board (LEAG) assessment model is examined, and in North America, Advanced Placement(AP), Arts PROPEL, and International Baccalaureate(IB). Assessment structures and criteria for assessment are examined in order to reveal art educational values inherent in assessment practices. The problem is threefold: The subjective nature of studio art has rendered assessment difficult; problems have been associated with methods adopted for assessing studio art, and with determining the purposes of art education. Findings are that similar structures characterize the qualitative studio art assessment strategies studied: Criteria are delineated; norm referencing through rank ordering occurs, and assessments depend on professional judgements by art educators. In all cases except for Arts PROPEL, judgements occur intersubjectively through moderation, enhancing reliability. With regard to values implicit in assessment criteria, all the strategies focus on understanding of form. LEAG and IB assessments are similar in their emphasis on linking art and design, form and function, historical, critical, and contextual understanding. LEAG, IB, and Arts PROPEL assessments focus on evidence of process as well as product. All the strategies are personally relevant to students in that they determine the thematic nature of their studio inquiries. The assessment approaches examined are adaptable to varied teaching contexts, and thus are suitable models for regional or national assessment. Because of its grassroots support nationally, and its sophisticated accommodation of contextual and multicultural understandings of art, LEAG emerges as a worthwhile model to emulate. Education, Faculty of Curriculum and Pedagogy (EDCP), Department of Graduate 2008-09-18T16:40:59Z 2008-09-18T16:40:59Z 1992 1993-05 Text Thesis/Dissertation http://hdl.handle.net/2429/2248 eng For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use. 5641731 bytes application/pdf
collection NDLTD
language English
format Others
sources NDLTD
topic Art - Study and teaching (Secondary) - Great Britain.
Art - Study and teaching (Secondary) - North America.
spellingShingle Art - Study and teaching (Secondary) - Great Britain.
Art - Study and teaching (Secondary) - North America.
Blaikie, Fiona
Structures of and values inherent in senior secondary student asessment in studio art in Britain and North America
description Visible models of assessment of senior secondary studio art in Britain and North America are analysed and compared. In Britain, The General Certificate in Secondary Education (GCSE), specifically, the London East Anglian Examining Board (LEAG) assessment model is examined, and in North America, Advanced Placement(AP), Arts PROPEL, and International Baccalaureate(IB). Assessment structures and criteria for assessment are examined in order to reveal art educational values inherent in assessment practices. The problem is threefold: The subjective nature of studio art has rendered assessment difficult; problems have been associated with methods adopted for assessing studio art, and with determining the purposes of art education. Findings are that similar structures characterize the qualitative studio art assessment strategies studied: Criteria are delineated; norm referencing through rank ordering occurs, and assessments depend on professional judgements by art educators. In all cases except for Arts PROPEL, judgements occur intersubjectively through moderation, enhancing reliability. With regard to values implicit in assessment criteria, all the strategies focus on understanding of form. LEAG and IB assessments are similar in their emphasis on linking art and design, form and function, historical, critical, and contextual understanding. LEAG, IB, and Arts PROPEL assessments focus on evidence of process as well as product. All the strategies are personally relevant to students in that they determine the thematic nature of their studio inquiries. The assessment approaches examined are adaptable to varied teaching contexts, and thus are suitable models for regional or national assessment. Because of its grassroots support nationally, and its sophisticated accommodation of contextual and multicultural understandings of art, LEAG emerges as a worthwhile model to emulate. === Education, Faculty of === Curriculum and Pedagogy (EDCP), Department of === Graduate
author Blaikie, Fiona
author_facet Blaikie, Fiona
author_sort Blaikie, Fiona
title Structures of and values inherent in senior secondary student asessment in studio art in Britain and North America
title_short Structures of and values inherent in senior secondary student asessment in studio art in Britain and North America
title_full Structures of and values inherent in senior secondary student asessment in studio art in Britain and North America
title_fullStr Structures of and values inherent in senior secondary student asessment in studio art in Britain and North America
title_full_unstemmed Structures of and values inherent in senior secondary student asessment in studio art in Britain and North America
title_sort structures of and values inherent in senior secondary student asessment in studio art in britain and north america
publishDate 2008
url http://hdl.handle.net/2429/2248
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