The concept of vision in Paul Gauguin’s Vision après le sermon
The central concern of this thesis is the concept of vision as subject and artistic mode as a means of comprehending Paul Gauguin's Vision après le sermon of 1888. The painting in its style and imagery is argued to be a reflection of Gauguin's beliefs and aims at the time of, its execution...
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| Language: | English |
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2010
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| Online Access: | http://hdl.handle.net/2429/21686 |