An analysis of rhyme in poetry for children

This thesis attempts to provide an insight into how rhyming devices and rhyme forms have been used in poetry written specifically for children. It looks at words thathave been selected by children's poets for their acoustical effect as well as their literary meaning and explores how the placeme...

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Main Author: Harley, Avis Valerie
Format: Others
Language:English
Published: 2008
Online Access:http://hdl.handle.net/2429/2100
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spelling ndltd-UBC-oai-circle.library.ubc.ca-2429-21002018-01-05T17:31:03Z An analysis of rhyme in poetry for children Harley, Avis Valerie This thesis attempts to provide an insight into how rhyming devices and rhyme forms have been used in poetry written specifically for children. It looks at words thathave been selected by children's poets for their acoustical effect as well as their literary meaning and explores how the placement of each rhyming word affects the poem. In order to illustrate the context from which children's poetry has evolved, an overview of what is known in general about the historical roots of rhyme in the English language is reviewed through the works of the following scholars: Saintsbury, Lanz, Reeves, Fraser, Woods, Hollander, Wimsatt, and Pendlebury. Such widely differing poets as Isaac Watts (1674-1748), William Blake (1757-1827), Edward Lear (1812-1888),Lewis Carroll (1831-1898), Christina Rossetti (1830-1898),Robert Louis Stevenson (1850-1894), Walter de la Mare (1873-1956), A.A. Milne (1882-1956), David McCord (1897- ), John Ciardi (1916-1986), Eve Merriam (1916- ), and Valerie Worth (1933- ) have contributed significantly to the development and shaping of children's poetry. This paper examines how rhyme has been used by these twelve poets. 164 poems have been analyzed, totalling 2671 lines. Although basically a descriptive, historical study, some quantitative data are included in the second chapter to illustrate the following: --frequency of rhyme patterns (couplet, triplet, quatrain, etc.) --preferred stanzaic forms --percentage of stressed or unstressed line-endings. The analysis offers statistical proof that wide experimentation with all forms of children's poetry, especially free verse, has occurred in the twentieth century. Use of near-rhyme appears to have increased in the last few decades. Poets' preferences for rhyme patterns have altered over the past three hundred years, but traditional forms such as the couplet and quatrain continue to be popular choices of contemporary poets. The main purpose of this thesis is to illustrate the flexibility of rhyme by emphasizing the variety of devices and forms in which rhyme has been successfully employed in children’s poetry. Education, Faculty of Language and Literacy Education (LLED), Department of Graduate 2008-09-16T21:25:38Z 2008-09-16T21:25:38Z 1992 1992-05 Text Thesis/Dissertation http://hdl.handle.net/2429/2100 eng For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use. 4605776 bytes application/pdf
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language English
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description This thesis attempts to provide an insight into how rhyming devices and rhyme forms have been used in poetry written specifically for children. It looks at words thathave been selected by children's poets for their acoustical effect as well as their literary meaning and explores how the placement of each rhyming word affects the poem. In order to illustrate the context from which children's poetry has evolved, an overview of what is known in general about the historical roots of rhyme in the English language is reviewed through the works of the following scholars: Saintsbury, Lanz, Reeves, Fraser, Woods, Hollander, Wimsatt, and Pendlebury. Such widely differing poets as Isaac Watts (1674-1748), William Blake (1757-1827), Edward Lear (1812-1888),Lewis Carroll (1831-1898), Christina Rossetti (1830-1898),Robert Louis Stevenson (1850-1894), Walter de la Mare (1873-1956), A.A. Milne (1882-1956), David McCord (1897- ), John Ciardi (1916-1986), Eve Merriam (1916- ), and Valerie Worth (1933- ) have contributed significantly to the development and shaping of children's poetry. This paper examines how rhyme has been used by these twelve poets. 164 poems have been analyzed, totalling 2671 lines. Although basically a descriptive, historical study, some quantitative data are included in the second chapter to illustrate the following: --frequency of rhyme patterns (couplet, triplet, quatrain, etc.) --preferred stanzaic forms --percentage of stressed or unstressed line-endings. The analysis offers statistical proof that wide experimentation with all forms of children's poetry, especially free verse, has occurred in the twentieth century. Use of near-rhyme appears to have increased in the last few decades. Poets' preferences for rhyme patterns have altered over the past three hundred years, but traditional forms such as the couplet and quatrain continue to be popular choices of contemporary poets. The main purpose of this thesis is to illustrate the flexibility of rhyme by emphasizing the variety of devices and forms in which rhyme has been successfully employed in children’s poetry. === Education, Faculty of === Language and Literacy Education (LLED), Department of === Graduate
author Harley, Avis Valerie
spellingShingle Harley, Avis Valerie
An analysis of rhyme in poetry for children
author_facet Harley, Avis Valerie
author_sort Harley, Avis Valerie
title An analysis of rhyme in poetry for children
title_short An analysis of rhyme in poetry for children
title_full An analysis of rhyme in poetry for children
title_fullStr An analysis of rhyme in poetry for children
title_full_unstemmed An analysis of rhyme in poetry for children
title_sort analysis of rhyme in poetry for children
publishDate 2008
url http://hdl.handle.net/2429/2100
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