"Where is the meter" : an investigation on rhythmic process in Björk’s music
Björk uses many rhythmic techniques typically found in popular music, such as repetition and syncopation, and is a talented composer who carefully crafts the details in her compositions. This paper will describe and explore some rhythmic and metric innovations found in her songs "Where is th...
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ndltd-UBC-oai-circle.library.ubc.ca-2429-167332018-01-05T17:38:33Z "Where is the meter" : an investigation on rhythmic process in Björk’s music Eggertson, Kristine Sessalja Björk uses many rhythmic techniques typically found in popular music, such as repetition and syncopation, and is a talented composer who carefully crafts the details in her compositions. This paper will describe and explore some rhythmic and metric innovations found in her songs "Where is the Line?" and "Undo." In order to analyze her music, I must turn to primarily the theories and analyses of classical and art music. I will show how Björk uses techniques such as parallelism, hypermeter, metric shift, and projection of a late entry, to both create and destroy metric sensations in her music. Arts, Faculty of Music, School of Graduate 2009-12-15T22:14:33Z 2009-12-15T22:14:33Z 2005 2005-11 Text Thesis/Dissertation http://hdl.handle.net/2429/16733 eng For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use. |
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NDLTD |
language |
English |
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NDLTD |
description |
Björk uses many rhythmic techniques typically found in popular music,
such as repetition and syncopation, and is a talented composer who carefully
crafts the details in her compositions. This paper will describe and explore some
rhythmic and metric innovations found in her songs "Where is the Line?" and
"Undo." In order to analyze her music, I must turn to primarily the theories and
analyses of classical and art music. I will show how Björk uses techniques such
as parallelism, hypermeter, metric shift, and projection of a late entry, to both
create and destroy metric sensations in her music. === Arts, Faculty of === Music, School of === Graduate |
author |
Eggertson, Kristine Sessalja |
spellingShingle |
Eggertson, Kristine Sessalja "Where is the meter" : an investigation on rhythmic process in Björk’s music |
author_facet |
Eggertson, Kristine Sessalja |
author_sort |
Eggertson, Kristine Sessalja |
title |
"Where is the meter" : an investigation on rhythmic process in Björk’s music |
title_short |
"Where is the meter" : an investigation on rhythmic process in Björk’s music |
title_full |
"Where is the meter" : an investigation on rhythmic process in Björk’s music |
title_fullStr |
"Where is the meter" : an investigation on rhythmic process in Björk’s music |
title_full_unstemmed |
"Where is the meter" : an investigation on rhythmic process in Björk’s music |
title_sort |
"where is the meter" : an investigation on rhythmic process in björk’s music |
publishDate |
2009 |
url |
http://hdl.handle.net/2429/16733 |
work_keys_str_mv |
AT eggertsonkristinesessalja whereisthemeteraninvestigationonrhythmicprocessinbjorksmusic |
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1718590316598001664 |