"Where is the meter" : an investigation on rhythmic process in Björk’s music

Björk uses many rhythmic techniques typically found in popular music, such as repetition and syncopation, and is a talented composer who carefully crafts the details in her compositions. This paper will describe and explore some rhythmic and metric innovations found in her songs "Where is th...

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Main Author: Eggertson, Kristine Sessalja
Language:English
Published: 2009
Online Access:http://hdl.handle.net/2429/16733
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spelling ndltd-UBC-oai-circle.library.ubc.ca-2429-167332018-01-05T17:38:33Z "Where is the meter" : an investigation on rhythmic process in Björk’s music Eggertson, Kristine Sessalja Björk uses many rhythmic techniques typically found in popular music, such as repetition and syncopation, and is a talented composer who carefully crafts the details in her compositions. This paper will describe and explore some rhythmic and metric innovations found in her songs "Where is the Line?" and "Undo." In order to analyze her music, I must turn to primarily the theories and analyses of classical and art music. I will show how Björk uses techniques such as parallelism, hypermeter, metric shift, and projection of a late entry, to both create and destroy metric sensations in her music. Arts, Faculty of Music, School of Graduate 2009-12-15T22:14:33Z 2009-12-15T22:14:33Z 2005 2005-11 Text Thesis/Dissertation http://hdl.handle.net/2429/16733 eng For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.
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language English
sources NDLTD
description Björk uses many rhythmic techniques typically found in popular music, such as repetition and syncopation, and is a talented composer who carefully crafts the details in her compositions. This paper will describe and explore some rhythmic and metric innovations found in her songs "Where is the Line?" and "Undo." In order to analyze her music, I must turn to primarily the theories and analyses of classical and art music. I will show how Björk uses techniques such as parallelism, hypermeter, metric shift, and projection of a late entry, to both create and destroy metric sensations in her music. === Arts, Faculty of === Music, School of === Graduate
author Eggertson, Kristine Sessalja
spellingShingle Eggertson, Kristine Sessalja
"Where is the meter" : an investigation on rhythmic process in Björk’s music
author_facet Eggertson, Kristine Sessalja
author_sort Eggertson, Kristine Sessalja
title "Where is the meter" : an investigation on rhythmic process in Björk’s music
title_short "Where is the meter" : an investigation on rhythmic process in Björk’s music
title_full "Where is the meter" : an investigation on rhythmic process in Björk’s music
title_fullStr "Where is the meter" : an investigation on rhythmic process in Björk’s music
title_full_unstemmed "Where is the meter" : an investigation on rhythmic process in Björk’s music
title_sort "where is the meter" : an investigation on rhythmic process in björk’s music
publishDate 2009
url http://hdl.handle.net/2429/16733
work_keys_str_mv AT eggertsonkristinesessalja whereisthemeteraninvestigationonrhythmicprocessinbjorksmusic
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