An exploration of first nations artists in Alert Bay, BC : connecting to the art market from home

Historically, Northwest Coast First Nations artists have been active participants in local and external trade from their communities. Today, many Northwest Coast First Nations artists work in large art centers, such as art galleries in Victoria and the Lower Mainland, and/or in their local commun...

Full description

Bibliographic Details
Main Author: Neufeld, Margaret Rachel McKellin
Language:English
Published: 2009
Online Access:http://hdl.handle.net/2429/16368
id ndltd-UBC-oai-circle.library.ubc.ca-2429-16368
record_format oai_dc
spelling ndltd-UBC-oai-circle.library.ubc.ca-2429-163682018-01-05T17:38:18Z An exploration of first nations artists in Alert Bay, BC : connecting to the art market from home Neufeld, Margaret Rachel McKellin Historically, Northwest Coast First Nations artists have been active participants in local and external trade from their communities. Today, many Northwest Coast First Nations artists work in large art centers, such as art galleries in Victoria and the Lower Mainland, and/or in their local communities. In Alert Bay, B.C., home of the 'Namgis People from the Kwakwaka'wakw Nation, artists continue to create economic ties to art centers within and beyond their local community. The objective of this study is to a) explore why some First Nations artists choose to be based in Alert Bay while participating in the art market, b) identify the mechanisms that are used by artists to develop and maintain connections to both local and non-local art market centers and, c) analyze the kinds of issues or consequences that arise as a result of being involved in these types of transactions. In conducting fieldwork over a period of one month, participant-observation and semi-structured interviews with First Nations artists living in Alert Bay, I have found that artists place importance upon belonging to an aboriginal community that influences how they develop and that they maintain economic ties within and beyond their community. I intend to show that artists seek recognition for their economic contributions as artists from community members at home while they simultaneously seek recognition for their sociocultural participation by members of the non-native art-world. By analyzing the narratives of artists, tensions over the "authenticity" of the artist, the quality and standard of their work and their perceived recognition in the community arise as they attempt to participate and gain recognition in both local and non-local economic arenas. Arts, Faculty of Anthropology, Department of Graduate 2009-12-11T00:26:38Z 2009-12-11T00:26:38Z 2005 2005-05 Text Thesis/Dissertation http://hdl.handle.net/2429/16368 eng For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.
collection NDLTD
language English
sources NDLTD
description Historically, Northwest Coast First Nations artists have been active participants in local and external trade from their communities. Today, many Northwest Coast First Nations artists work in large art centers, such as art galleries in Victoria and the Lower Mainland, and/or in their local communities. In Alert Bay, B.C., home of the 'Namgis People from the Kwakwaka'wakw Nation, artists continue to create economic ties to art centers within and beyond their local community. The objective of this study is to a) explore why some First Nations artists choose to be based in Alert Bay while participating in the art market, b) identify the mechanisms that are used by artists to develop and maintain connections to both local and non-local art market centers and, c) analyze the kinds of issues or consequences that arise as a result of being involved in these types of transactions. In conducting fieldwork over a period of one month, participant-observation and semi-structured interviews with First Nations artists living in Alert Bay, I have found that artists place importance upon belonging to an aboriginal community that influences how they develop and that they maintain economic ties within and beyond their community. I intend to show that artists seek recognition for their economic contributions as artists from community members at home while they simultaneously seek recognition for their sociocultural participation by members of the non-native art-world. By analyzing the narratives of artists, tensions over the "authenticity" of the artist, the quality and standard of their work and their perceived recognition in the community arise as they attempt to participate and gain recognition in both local and non-local economic arenas. === Arts, Faculty of === Anthropology, Department of === Graduate
author Neufeld, Margaret Rachel McKellin
spellingShingle Neufeld, Margaret Rachel McKellin
An exploration of first nations artists in Alert Bay, BC : connecting to the art market from home
author_facet Neufeld, Margaret Rachel McKellin
author_sort Neufeld, Margaret Rachel McKellin
title An exploration of first nations artists in Alert Bay, BC : connecting to the art market from home
title_short An exploration of first nations artists in Alert Bay, BC : connecting to the art market from home
title_full An exploration of first nations artists in Alert Bay, BC : connecting to the art market from home
title_fullStr An exploration of first nations artists in Alert Bay, BC : connecting to the art market from home
title_full_unstemmed An exploration of first nations artists in Alert Bay, BC : connecting to the art market from home
title_sort exploration of first nations artists in alert bay, bc : connecting to the art market from home
publishDate 2009
url http://hdl.handle.net/2429/16368
work_keys_str_mv AT neufeldmargaretrachelmckellin anexplorationoffirstnationsartistsinalertbaybcconnectingtotheartmarketfromhome
AT neufeldmargaretrachelmckellin explorationoffirstnationsartistsinalertbaybcconnectingtotheartmarketfromhome
_version_ 1718590194175705088