The dynamics of spectatorship in the first panoramas : vision, the body and British imperialism, 1787-1820
This thesis investigates the dynamics of spectatorship in the panorama, a three-hundred-and-sixty-degree visual medium that Robert Barker invented and patented in 1787. The study addresses the effects of the first panorama representations on their urban audiences in Edinburgh and London in the l...
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| Format: | Others |
| Language: | English |
| Published: |
2009
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| Online Access: | http://hdl.handle.net/2429/13186 |