Seeing is conceiving : gender, race and visual semantics at the Birmingham Centre for Contemporary Cultural Studies
This paper deals with the discourses of visuality in the intellectual history of British cultural studies as it developed in the postwar period at the University of Birmingham's Center for Contemporary Cultural Studies (CCCS). Visual representation has long been perceived by western thought...
Main Author: | Carnie, Henry Joseph |
---|---|
Format: | Others |
Language: | English |
Published: |
2009
|
Online Access: | http://hdl.handle.net/2429/12404 |
Similar Items
-
Seeing is conceiving : gender, race and visual semantics at the Birmingham Centre for Contemporary Cultural Studies
by: Carnie, Henry Joseph
Published: (2009) -
Philanthropy in Birmingham and Sydney, 1860-1914 : class, gender and race
by: Harvey, E. A.
Published: (2011) -
The Seeing Machine Camera: An Artistic Tool for the Visually Challenged Conceived by a Visually Challenged Artist
by: Selvadurai, Chindhuri, et al.
Published: (2012) -
Urban regeneration and cultural geography : the International Convention Centre Birmingham
by: Hall, Timothy Ross
Published: (1994) -
Illustrating Empire: Race, Gender, and Visuality in Contemporary Asian American Literary Culture
by: Landis, Winona L.
Published: (2018)