Compositions
Seven compositions, five for live instruments and two for electroacoustics, comprise this thesis. The works for live instruments vary in genre, and include pieces for chamber ensemble, choir, and solo instrument. "Music for Solo Violin" employs thematic material modelled after Eastern...
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ndltd-UBC-oai-circle.library.ubc.ca-2429-104292018-01-05T17:35:20Z Compositions Newsome, Gregory Lee Seven compositions, five for live instruments and two for electroacoustics, comprise this thesis. The works for live instruments vary in genre, and include pieces for chamber ensemble, choir, and solo instrument. "Music for Solo Violin" employs thematic material modelled after Eastern European folk music and intervallic structures, as does "Bagatelle for String Quartet." "Lux aeterna" expands a small, core idea into an entire composition whose salient features are an added-tone harmonic structure and a time-varying polyphonic texture, "non-art," "The Sacrifice of Infinity," and the electroacoustic works "Chroma" and "Purity" reflect an interest in compositional syntax modelled after timbre, avoidance of a post-World War II concept of gesture, and psychoacoustics. Arts, Faculty of Music, School of 1 cd Graduate 2009-07-08T22:21:47Z 2009-07-08T22:21:47Z 2000 2000-05 Text Thesis/Dissertation http://hdl.handle.net/2429/10429 eng For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use. 2962151 bytes application/pdf |
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English |
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Others
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description |
Seven compositions, five for live instruments and two for
electroacoustics, comprise this thesis. The works for live instruments vary in
genre, and include pieces for chamber ensemble, choir, and solo instrument.
"Music for Solo Violin" employs thematic material modelled after Eastern
European folk music and intervallic structures, as does "Bagatelle for String
Quartet." "Lux aeterna" expands a small, core idea into an entire composition
whose salient features are an added-tone harmonic structure and a time-varying
polyphonic texture, "non-art," "The Sacrifice of Infinity," and the electroacoustic
works "Chroma" and "Purity" reflect an interest in compositional syntax modelled
after timbre, avoidance of a post-World War II concept of gesture, and
psychoacoustics. === Arts, Faculty of === Music, School of === 1 cd === Graduate |
author |
Newsome, Gregory Lee |
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Newsome, Gregory Lee Compositions |
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Newsome, Gregory Lee |
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Newsome, Gregory Lee |
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Compositions |
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Compositions |
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Compositions |
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compositions |
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2009 |
url |
http://hdl.handle.net/2429/10429 |
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AT newsomegregorylee compositions |
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1718588546550333440 |