Collecting the“Absurdity”-Research on the Creation of Ink Painting in Absurd Context

• Main Authors: SU,CHIA-FENG, 蘇家芬
• Other Authors: CHEN, PING-HUNG
• Format: Others
• Language: zh-TW
• Published: 2019
• Online Access: http://ndltd.ncl.edu.tw/handle/d57h6n

碩士 === 國立臺灣藝術大學 === 書畫藝術學系 === 108 === This thesis is mainly derived from the observation, reflection and imagination of many paradoxical things in daily life, and becomes the inspiration of creation through aesthetic effect. Taking "absurdity" as the theme, we pledge a kind of humanistic concern of realism spirit. In this paper, "absurdity" has two meanings: one is to take "absurd events" in reality as the theme of creation; the other is to discuss literature and images with "absurd aesthetics" as the theory of creation. Looking forward to the research of this paper, in the practice of ink creation, to shape the style of self. This paper is divided into six chapters. The first chapter describes the motivation, purpose, content and scope of the study. Chapter two is the theoretical discussion, which will discuss the thorough understanding of "absurdity" in the context of East and West, and the brief description of "absurd drama", "existentialism" and absurd aesthetics. Chapter three focuses on the expression of artistic images, and examines the creative thinking and performance of different artists through related dramas and paintings, and analyzing the types and characteristics of modern painting under the absurd context. Chapter four presents the author's creative outlook, content and form of the work, and a series of explanations. The fifth chapter is about the practice and analysis of the works, including the content of the subject matter, the description of the creation and so on. The last chapter is the conclusion, which serves as a review and reflection of this study, as well as a prospect for the future.