Using homophone as the medium of Chinese character art design-Taking ware font as an example

碩士 === 國立臺灣藝術大學 === 工藝設計學系 === 108 === This research aims to explore the usage of homophones as the medium of art design in Chinese characters, which is different from the previous study of font line design. Through the aesthetics of calligraphy, semiotics, and the performance of Chinese characters...

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Main Authors: CAI,SHEN-TENG, 蔡紳騰
Other Authors: ZHANG,GONG-LING
Format: Others
Language:zh-TW
Published: 2019
Online Access:http://ndltd.ncl.edu.tw/handle/uz2bpp
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spelling ndltd-TW-108NTUA00380012019-11-21T05:36:18Z http://ndltd.ncl.edu.tw/handle/uz2bpp Using homophone as the medium of Chinese character art design-Taking ware font as an example 以同音字作為漢字藝術設計之媒介研究-以器皿字體為例 CAI,SHEN-TENG 蔡紳騰 碩士 國立臺灣藝術大學 工藝設計學系 108 This research aims to explore the usage of homophones as the medium of art design in Chinese characters, which is different from the previous study of font line design. Through the aesthetics of calligraphy, semiotics, and the performance of Chinese characters in the past, the study has discovered the three experiences such as: The Display of Cultural Awareness, The Association of Text Images, and The Application of Eedia. Through the associated concept of transformation, the homonym of the same Chinese character text is regarded as the rationality of design method, and a set of method for screening and researching the homonym and meaning pairing is drawn up, to obtain the available design and imaginable materials. Viewing the performance of Chinese character art and the aesthetics of calligraphy, whether in calligraphy or Chinese character art design, font lines are a way of presenting, but the cultural awareness attached to, was from the expression of the creator’s desire to its uniqueness, life course, and experiences. Based on the deduction of these experiences, this study uses homophones as a way of presenting, followed by the material of the screening and the cultural awareness to express the series of sample design of homophones. "Disc and Cymbal" and "Disc and Stack" were two sets of design as illustrated example. By the design of non-font lines, can also express out the cultural awareness of the thinker effectively in the design of Chinese characters. Although under the framework of Chinese character art, the works presents the cultural meaning and the consciousness given by the thinker, it is not a matter of the media nor the value of the purpose to this article lies in the transformation idea of this media application. ZHANG,GONG-LING 張恭領 2019 學位論文 ; thesis 65 zh-TW
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language zh-TW
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description 碩士 === 國立臺灣藝術大學 === 工藝設計學系 === 108 === This research aims to explore the usage of homophones as the medium of art design in Chinese characters, which is different from the previous study of font line design. Through the aesthetics of calligraphy, semiotics, and the performance of Chinese characters in the past, the study has discovered the three experiences such as: The Display of Cultural Awareness, The Association of Text Images, and The Application of Eedia. Through the associated concept of transformation, the homonym of the same Chinese character text is regarded as the rationality of design method, and a set of method for screening and researching the homonym and meaning pairing is drawn up, to obtain the available design and imaginable materials. Viewing the performance of Chinese character art and the aesthetics of calligraphy, whether in calligraphy or Chinese character art design, font lines are a way of presenting, but the cultural awareness attached to, was from the expression of the creator’s desire to its uniqueness, life course, and experiences. Based on the deduction of these experiences, this study uses homophones as a way of presenting, followed by the material of the screening and the cultural awareness to express the series of sample design of homophones. "Disc and Cymbal" and "Disc and Stack" were two sets of design as illustrated example. By the design of non-font lines, can also express out the cultural awareness of the thinker effectively in the design of Chinese characters. Although under the framework of Chinese character art, the works presents the cultural meaning and the consciousness given by the thinker, it is not a matter of the media nor the value of the purpose to this article lies in the transformation idea of this media application.
author2 ZHANG,GONG-LING
author_facet ZHANG,GONG-LING
CAI,SHEN-TENG
蔡紳騰
author CAI,SHEN-TENG
蔡紳騰
spellingShingle CAI,SHEN-TENG
蔡紳騰
Using homophone as the medium of Chinese character art design-Taking ware font as an example
author_sort CAI,SHEN-TENG
title Using homophone as the medium of Chinese character art design-Taking ware font as an example
title_short Using homophone as the medium of Chinese character art design-Taking ware font as an example
title_full Using homophone as the medium of Chinese character art design-Taking ware font as an example
title_fullStr Using homophone as the medium of Chinese character art design-Taking ware font as an example
title_full_unstemmed Using homophone as the medium of Chinese character art design-Taking ware font as an example
title_sort using homophone as the medium of chinese character art design-taking ware font as an example
publishDate 2019
url http://ndltd.ncl.edu.tw/handle/uz2bpp
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