| Summary: | 碩士 === 元智大學 === 中國語文學系 === 107 === The study discusses the style of Ma Yuan's novels, which is still "Avant-Garde" in nowadays, from his novels of the New Period in the 1980s and the novels after returning to the literary world at the beginning of 21st century. From the literary background and stage development of Ma Yuan's novels, explore the influence of Tibet on it and analyze the development of Avant-Garde literature in the history of Chinese literature in the 20th century, and Ma Yuan’s status and importance in the literary world. In the novels of the New Period in the 1980s, Ma Yuan established his literary position with multidirectional metaphors and the brushwork of creating narrative labyrinths. Ma Yuan, who returned after twenty years of silence, displayed the novel style of still "AvantGarde" in a special novel form through his novels: The Monsters And Freaks, Entanglement, The One Family Of Huang Tang, Tang Dynasty ‧ Palace and Guniangzhai. Overall, from the New Period in the 1980s to nowadays, Ma Yuan's novels, which indicated his understanding of life, livelihood and destiny, have a trajectory of "realistic care under the Avant-Garde " to "continuation of the Avant-Garde spirit in realism".
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